Chart Mondays: Stormzy - Big For Your Boots

February 13, 2017 Critic Jonni 0 Comments

Big For Your Boots - Stormzy |

Stormzy is in the top ten of the UK chart, again! Can you believe it? We all thought this wouldn't ever happen, a grime artist in the UK top ten singles chart for the second time, but he's here! He grabs my Chart Mondays review today due to Ed Sheeran still being at number one with "Shape of You". This definitely is catchy, and it's no surprise it is in the top ten. Watch Stormzy sing about being too "Big For Your Boots" all the while including controversial issues in this brilliantly crafted music video.

Stormzy, real name Michael Omari, has really turned into a defining artist and rapper amongst the grime music genre that has been popular for years in the UK. However, it's very difficult to chart, let alone get a second single in the UK's top ten, which just goes to show how big Stormzy has become. He previously got to number eight in the UK with his song "Shut Up". Now he's peaked at that position again with "Big For Your Boots". This song is his first single from his official debut album. It was written by Michael Omari.

The music video was directed by DAPS. It's mainly a performance piece set within a narrative that is strong nonetheless.

He totally brings it on the visual, we expect nothing less of Stormzy. He can rap in style with so much energy that you just want to see him on stage doing his thing. His music videos always have this energetic vibe about them, that it's no surprise it turns up in this one too.

There are some great profile shots of additional characters, although the scenes aren't fully fleshed out into the narrative. We don't know why he is chilling in the sunroof of a cop car, but he does sing 'Drug money in my shoebox' at that point so maybe they lyrics explains it all.

Either way, this is a killer music video. It's full of energetic vibes and great profile scenes. The first half is way better than the second half, but that is due to camera angles and the settings of each scene rather than anything else. The music video is progressive and totally relatable to the song. It works.
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