Talk about launching back on to the scene, after Nicole Scherzinger's first attempt at going solo failed, the girls reunited with Nicole Scherzinger as the main lead singer with the girls as total backing dancers and singers. Yet they burst back out with this awesome song that really put them back in the spotlight. The Pussycat Dolls parade around the street as a traffic jam stops them from going to the studio, where they nail some amazing choreography, "When I Grow Up" is a dance-powerhouse.
The Pussycat Dolls were a six-piece girl group but lost a member for their second album so here they are a five-piece consisting of Nicole Scherzinger, Ashley Roberts, Kimberly Wyatt, Melody Thornton and Jessica Sutta. This was the first single from their second album, and many people thought Nicole Scherzinger said something very different other than 'groupies' in the chorus, this is an old joke that people still use today. The song reached number three on the UK chart, which is pretty good. The song was written by Rodney Jerkins, Theron Thomas, Timothy Thomas, Jim McCarty and Paul Samwell-Smith. The song samples "He's Always There" by The Yardbirds.
The director was Joseph Khan... Definitely becoming a household name on my blog, he has clearly made the best music videos and is already majorly respected in the music video industry.
Following every other singer stuck in a traffic jam, these girls jump out of the car and never return, making sure they get to their destination while creating their own traffic jam, naturally. However, respect for The Saturdays, who return to their car in the music video for "Higher"!
Now, ignoring Nicole Scherzinger as lead, and kind of only, vocalist; these girls bring fire with their dancing. Any choreography thrown at them, they perform with perfect technique that definitely made this girl group one to watch. To nail these dance moves is something most girl groups will struggle with. First and foremost these girls are mainly dancers, and although Nicole Scherzinger has the spotlight, they can definitely draw in harmonies together.
There's not a lot else to say, apart from the guys staring at them whilst their girlfriends get a little mad. The Pussycat Dolls may be missing one member during this video and their subsequent ones, but we're kind of used to it since "Buttons" has continuity errors.
This was the whistling song in the Eurovision Song Contest 2014 and it's definitely upbeat, which definitely helped overall. Sebalter entered for Switzerland and managed to get them 64 points placing the country 13th, which is pretty good going. This cute number will definitely cheer you up, unless you're like me and can't whistle at all, and so can't whistle along with everyone else. Sebalter is the "Hunter of Stars" as he whistled his way through a hotel as a concierge and a hotel chef, as well as the Eurovision Song Contest, finally winning everyone over including his boss.
Sebalter, real name Sebastiano Paù-Lessi, was originally a part of a group called The Vad Vuc, who went on to release three albums before he left to pursue a solo career. He entered Die Große Entscheidungsshow, which is Switzerland's national selection process, in which he won in 2014. The song did well at Eurovision and even did well in charts around Europe after the contest. Sebalter went on to release an album and a follow-up single but has since not released anything new. The song was written by Sebastiano Paù-Lessi.
The video was directed by Nick Rusconi and was filmed at Hotel Royal Splendide in Lugano, Switzerland. Quite tongue-in-cheek and definitely upbeat to go with the song, Sebalter plays a comical character and really shows his acting abilities, and slight dance moves.
Working inside of a hotel, Sebalter releases singing energy in front of unexpected guests, and his very unhappy boss. Even worse, is when he is in the kitchen making spaghetti and it flies through the air and lands on his boss, which was obviously going to happen. But finally, after joyfully playing his song up and down the corridor on the luggage cart, he settles down, playing his song and wins his boss over.
A great happy performance piece with a very obvious yet comical narrative piece. Overall this video is great fun and hilarious. Yet the song has a hidden meaning behind the deceptive lyrics and it is quite emotional. Yet they've focused on the happy sound of the song and the cheerfulness of the song is why it did so well at Eurovision.
Rumoured to be about the Orlando Shooting, this music video really does hit home for many people. It's so theatrical with amazing dancing and choreography which we totally expect from Maddie Zieger now. This whole music video is shockingly great, and Sia's lyrics is definitely just as good. Inspiring the whole world not to give up, Sia's song is pretty catchy, but it's the video with Maddie Zieger that really makes this "The Greatest", especially when it's supposedly about the Orlando Shooting.
Sia, full name Sia Furler, has really come into her own in the last few years. Now she's one of the most talked-about female singers as well as one of the most popular. Her songs have always cut deep and has always been superb. Now she's back with this new song which will be the lead single from her eighth studio album, which will do amazingly worldwide. This song originally features a rap from Kendrick Lamar, however. the rap verse has been taken out for this music video. The song was written by Sia Furler and Greg Kurstin.
Directed by Sia and Daniel Askill, with the choreography done by Ryan Heffington. This video is full of emotion, and even though the dance sequences are crazy, as always whenever Maddie Zieger dances, it's so full of emotion just like the song.
I love the start and the end, how Maddie Zieger paints rainbows on her cheeks using her hands, and she's clearly upset. The song suggests to keep your head up, and so Maddie Zieger shows that in her performance.
All the kids perform amazingly, of course, Maddie Zieger stands out the most, and her wacky faces make this serious music video wacky and hilarious at the same time, yet as we journey through dance, we get to the powerful ending where they're dancing together as a group, as one, before falling to the ground and holes can be seen through the walls, suggesting bullet holes.
The last scene is Maddie Zieger crying, this is so powerful and so emotional and does hit home for a lot of people. This will always be raw for a lot of people in the LGBT+ community and it affected everyone around the whole world. This is what makes this music video special.
From what I have heard from Beyoncé's latest album, it's nothing that interests me, and yet it's flooded with emotion and is completely new and her own. No one can deny the influence Beyoncé has had in the music industry, regardless of the fact that I'm not a fan of her new music. Her new stuff just isn't for me, and maybe once upon a time I did enjoy Beyoncé's music, but she's practically developed her music into something that isn't for me over the past few years. "Hold Up" by Beyoncé is a hate loving exploration for wrecking things with a baseball bat. Progressive from drowning to being in control.
Beyoncé, full name Beyoncé Knowles-Carter, first came on the scene as the lead singer of Destiny's Child. But it wasn't until she went solo that she soon became this massive singer. Now she's poured her heart and soul into her latest album 'Lemonade', which has had mixed reviews from critics and the general public, which explains the not-so-great chart positions she's been pulling in. Regardless of which, her music videos for the album have all been FIRE! This song contains a sample of "Can't Get Used To Losing You" sung by Andy Williams, an interpolation of "Maps" by the Yeah Yeah Yeahs, and an interpolation of "Turn My Swag On" by Soulja Boy. This is why there is a tonne of songwriters... Which are: Thomas Pentz (Diplo), Ezra Koening, Beyoncé Knowles, Emile Haynie, Joshua Tillman, Uzoechi Emenike (MNEK), Sean "Melo-X" Rhoden, Doc Pomus, Mort Shuman, DeAndre Way (Soulja Boy), Antonio Randolph, Kelvin McConnell and Yeah Yeah Yeahs.
Directed by Jonas Åkerlund, the video is part of a one-hour film titled 'Lemonade' which aired on HBO. Seeing only this snippet of the film is questioningly difficult as we haven't seen all parts of the film. However, judgement can only be made on this music video rather than the film as a whole.
The start, the monologue of words which Beyoincé uses to introduce the music video, is suggestive of drowning. That she once succumbed to things and changed herself to become someone.
That is not who she is now, she won't be told what to do, she won't become something she's not. This is who she is, this is the musical direction she has gone down, and she doesn't care what anyone else thinks.
The steps scene is my favourite, she looks like a sea creature breaking the surface, becoming a land creature. As she walks the streets, she grabs a bat and starts taking her hatred out on cars, shop windows, cameras and a hydrant. Although all she feels is happiness.
Overall, this video isn't exactly complete, what with it being a part of the one-hour 'Lemonade' film. However, it does relate to the song well, and it's a great reflection on how Beyoncé is feeling at the moment. There's not a lot else to say, although baseball bats seem to be in right now after Suicide Squad's Harley Quinn.
Last week I had two options for Chart Mondays, or so I thought... And I chose Calum Scott's "Dancing On My Own", knowing full well that my other option would make it to the top of the UK Chart this week, and it sure did.
Little did I know that The Chainsmokers hasn't released a music video for "Closer" which features Halsey, This is the song that is currently sitting pretty on the top of the UK Chart.
Regardless, if I had known this last week, I wouldn't have seen it as a choice. My opinion may have been slightly different, that being said, we can't dip into the past and change things around to see what the outcome would be.
End of the day, this is the fifth time I've not had a video to review for Chart Mondays due to the fact that I have already reviewed all the music videos for the entire UK Top 10 Singles Chart, apart from the ones that haven't been released yet, obviously.
Time to reminisce over my past reviews as click the links to the UK's Top 10:
To finish off this blog post, here's a little question to think about...
Is streaming services wrecking the UK chart?
Just a quick glance at the UK iTunes Chart tells an extremely different story... They said streams won't affect songs near the top of the chart, but it clearly has. In America, they count YouTube plays and various other things towards the Billboard Chart. Things are going to have to change, mainly because the chart is supposed to show what music is most popular, and although that may be the case, slightly, I'm sure that top 10 isn't the current most popular music in the UK.
What do you think? Let me know below or on my social channels.
