Let's be honest, MØ has been trying unsuccessfully to crack the worldwide charts for a few years now, luckily she teamed up with Major Lazer and the rest is history. This song has blown up, especially after the amazing "Lean On" and "Cold Water", if it wasn't for those songs, would this have done so well globally? There are a tonne of amazing songs that just doesn't get the recognition that they truly deserve and this could've been one of them. However, that fate is left to many other songs as this one rages the charts around the world. MØ acts sweet and innocent throughout this video, showing off her performance vibes to this Final Song, but it won't be her last!
MØ, real name Karen Marie Ørsted Andersen, has released quite a few singles, but this is the song that has pushed her into success. Her collaborations are what have given her the fame to gain momentum in the music industry. As I've said many times before, promotion is key, MØ has promoted herself as an artist by featuring on songs that become popular. Now she's impacting the music industry in a big way, but she needs to hold on to her popularity as it can easily slip and MØ could easily disappear. However, she's built herself up to this point, so I doubt she'll lose it completely like many have done before her. This song is so catchy, that it kind of reminds me of "Fight Song" by Rachel Platten, it has the same feel to it, and the more it's heard the more appealing it becomes. It was written by Karen Marie Ørsted, Noonie Bao and Uzo Emenike (known as MNEK). The latter songwriter has been on form lately, writing and collaborating with amazing stars.
Directed by Tomas Whitmore, it is effortlessly beautiful throughout. MØ has this performance style that is unbeatable, it's rare to find in a singer, but she has got it. So much energy released out to her listeners and watchers, I'm in awe of her.
Her dancing is on point throughout. There is not a lot of movement in the choreography, but I guess floating effortlessly does take it's toll on the body. Her lines are flawless, this is a girl who can dance and stylishly too.
The shadow effects on the desert floor are awesome to watch throughout, but it's the floating that is perfection. It takes skill to perfect floating nicely, yet MØ works it look totally natural. This is so believable that it looks too real. We all know it's special effects, and yet it's more that perfection, it's more than flawless, it just works amazingly!
Overall, this performance piece is engaging, interesting and totally out of this world. MØ is a rising star, and I hope she continues her success in her upcoming music ventures because if this is what she can do in a music video, she must be brilliant live on stage. This video may be missing a narrative, but the performance definitely makes up for it.
Ariana Grande has always been one of those people I have kept my eye on. Her music is amazing and her vocal ability is outstanding, and this song just proves my point and even though I don't love it as much as her previous songs, I can't deny that it touches me and it's catchy. Ariana Grande goes to the Honeymoon Inn with her bodyguard lover, but as he watches over her at a party, she spots an ex; she soon leaves with the bodyguard following, ready to take her away.
Ariana Grande first hit the scene in TV show Victorious playing Cat Valentine before starring in a spin-off show. Now, she is long from that children's series and now is one of the hottest female singers in the world, definitely the pop princess of this generation. She's worked hard to get where she is now and she has had the career many have dreamed of. She won't stop, that's for sure, especially when she keeps releasing fire song after fire song. This song was written by Max Martin, Savan Kotecha, Alexander Kronlund, Ilya Salmanzadeh and Ariana Grande.
Directed by Hannah Lux Davis and featuring actor Don Benjamin as Ariana Grande's love interest, the video is both narrative and performance based, more focusing on the relationship between Ariana Grande and Don Benjamin.
The narrative side of the video is very romanticised. It's clear that these two manage to establish a connection, really focusing on the love for each other. They easily fall into their character roles although it's clear that kissing one another was a little held back.
However, the two manage to be playful and manage to portray chemistry which is usually found at the start of relationships.
As Don Benjamin watches over her at a party, we see her not having the best time as she spots one of her ex's kissing another girl. I would have also left the party if I were her, shame I haven't got a sexy bodyguard watching over me and prepared to whisk me away on a motorbike, maybe one day.
As for the short performance scene shown throughout, Ariana Grande clearly means every word she is singing. This song means a lot to her, and it means a lot to me too, because people need the confidence to make a move, it's why I always end up making a move. Confidence should always be rewarded in my book, and clearly Ariana Grande agrees.
As a complete package, this video has it all, but the narrative is slightly confusing. The kissing scenes seem awkward and unnatural. However, they make it up to the watchers in the end as they manage to show chemistry and complete engagement throughout.
Melanie C is back with this scorching new song, which I'm sure DJ's will be remixing this song like crazy. I feel like this needs to be played whilst I'm on the dancefloor but maybe a remix version, there's just something that isn't quite giving me the club vibe that is probably meant to be there. Catchy nonetheless, though. Melanie C dances her way through this performance-based video for "Anymore" whilst we see home-videos of dancers.
Melanie C, full name Melanie Chisholm, has said she won't be reforming with the Spice Girls along with Victoria Beckham, leaving Mel B, Geri Horner and Emma Bunton to go as a three-piece. But this is the reason why Melanie C isn't signing up to reform, she's relaunching her solo career, again, and although the single isn't doing that well on the UK iTunes Chart, I can see this being a grower and a climber, because this tune is banging once you've heard it a few times. It is the lead single from her seventh studio album, she has never had a UK number one album yet, could she do it this time around?
There's not a lot to this music video. Melanie C's theatrical performance piece is spot-on, which is what we expect from her. She floods the song with emotion as she lets go during the chorus. The only problem I have is that the chorus feels more like a bridge, and I'm expecting something even more catchy, but it just doesn't quite hit the mark.
As for the scenes intercut throughout, there's nothing enlightening. I feel like a watcher, or someone walking past these people who are dancing on the street. I feel no connection whatsoever, and so their dancing doesn't move me one bit. Yet I feel like that's the whole plan and it links in with the lyrics more, so it's quite clever, yet it pushes the audience away.
This one's a hard one, it's relatable to an extent and yet it fails to draw interest from the watchers. I feel like there's no substance to this video, yet there's no substance to the song either. I feel like we're missing a major catchy chorus, and I just feel lost during the video even if it is relatable in every way. What are your thoughts?
Talk about launching back on to the scene, after Nicole Scherzinger's first attempt at going solo failed, the girls reunited with Nicole Scherzinger as the main lead singer with the girls as total backing dancers and singers. Yet they burst back out with this awesome song that really put them back in the spotlight. The Pussycat Dolls parade around the street as a traffic jam stops them from going to the studio, where they nail some amazing choreography, "When I Grow Up" is a dance-powerhouse.
The Pussycat Dolls were a six-piece girl group but lost a member for their second album so here they are a five-piece consisting of Nicole Scherzinger, Ashley Roberts, Kimberly Wyatt, Melody Thornton and Jessica Sutta. This was the first single from their second album, and many people thought Nicole Scherzinger said something very different other than 'groupies' in the chorus, this is an old joke that people still use today. The song reached number three on the UK chart, which is pretty good. The song was written by Rodney Jerkins, Theron Thomas, Timothy Thomas, Jim McCarty and Paul Samwell-Smith. The song samples "He's Always There" by The Yardbirds.
The director was Joseph Khan... Definitely becoming a household name on my blog, he has clearly made the best music videos and is already majorly respected in the music video industry.
Following every other singer stuck in a traffic jam, these girls jump out of the car and never return, making sure they get to their destination while creating their own traffic jam, naturally. However, respect for The Saturdays, who return to their car in the music video for "Higher"!
Now, ignoring Nicole Scherzinger as lead, and kind of only, vocalist; these girls bring fire with their dancing. Any choreography thrown at them, they perform with perfect technique that definitely made this girl group one to watch. To nail these dance moves is something most girl groups will struggle with. First and foremost these girls are mainly dancers, and although Nicole Scherzinger has the spotlight, they can definitely draw in harmonies together.
There's not a lot else to say, apart from the guys staring at them whilst their girlfriends get a little mad. The Pussycat Dolls may be missing one member during this video and their subsequent ones, but we're kind of used to it since "Buttons" has continuity errors.
This was the whistling song in the Eurovision Song Contest 2014 and it's definitely upbeat, which definitely helped overall. Sebalter entered for Switzerland and managed to get them 64 points placing the country 13th, which is pretty good going. This cute number will definitely cheer you up, unless you're like me and can't whistle at all, and so can't whistle along with everyone else. Sebalter is the "Hunter of Stars" as he whistled his way through a hotel as a concierge and a hotel chef, as well as the Eurovision Song Contest, finally winning everyone over including his boss.
Sebalter, real name Sebastiano Paù-Lessi, was originally a part of a group called The Vad Vuc, who went on to release three albums before he left to pursue a solo career. He entered Die Große Entscheidungsshow, which is Switzerland's national selection process, in which he won in 2014. The song did well at Eurovision and even did well in charts around Europe after the contest. Sebalter went on to release an album and a follow-up single but has since not released anything new. The song was written by Sebastiano Paù-Lessi.
The video was directed by Nick Rusconi and was filmed at Hotel Royal Splendide in Lugano, Switzerland. Quite tongue-in-cheek and definitely upbeat to go with the song, Sebalter plays a comical character and really shows his acting abilities, and slight dance moves.
Working inside of a hotel, Sebalter releases singing energy in front of unexpected guests, and his very unhappy boss. Even worse, is when he is in the kitchen making spaghetti and it flies through the air and lands on his boss, which was obviously going to happen. But finally, after joyfully playing his song up and down the corridor on the luggage cart, he settles down, playing his song and wins his boss over.
A great happy performance piece with a very obvious yet comical narrative piece. Overall this video is great fun and hilarious. Yet the song has a hidden meaning behind the deceptive lyrics and it is quite emotional. Yet they've focused on the happy sound of the song and the cheerfulness of the song is why it did so well at Eurovision.
Rumoured to be about the Orlando Shooting, this music video really does hit home for many people. It's so theatrical with amazing dancing and choreography which we totally expect from Maddie Zieger now. This whole music video is shockingly great, and Sia's lyrics is definitely just as good. Inspiring the whole world not to give up, Sia's song is pretty catchy, but it's the video with Maddie Zieger that really makes this "The Greatest", especially when it's supposedly about the Orlando Shooting.
Sia, full name Sia Furler, has really come into her own in the last few years. Now she's one of the most talked-about female singers as well as one of the most popular. Her songs have always cut deep and has always been superb. Now she's back with this new song which will be the lead single from her eighth studio album, which will do amazingly worldwide. This song originally features a rap from Kendrick Lamar, however. the rap verse has been taken out for this music video. The song was written by Sia Furler and Greg Kurstin.
Directed by Sia and Daniel Askill, with the choreography done by Ryan Heffington. This video is full of emotion, and even though the dance sequences are crazy, as always whenever Maddie Zieger dances, it's so full of emotion just like the song.
I love the start and the end, how Maddie Zieger paints rainbows on her cheeks using her hands, and she's clearly upset. The song suggests to keep your head up, and so Maddie Zieger shows that in her performance.
All the kids perform amazingly, of course, Maddie Zieger stands out the most, and her wacky faces make this serious music video wacky and hilarious at the same time, yet as we journey through dance, we get to the powerful ending where they're dancing together as a group, as one, before falling to the ground and holes can be seen through the walls, suggesting bullet holes.
The last scene is Maddie Zieger crying, this is so powerful and so emotional and does hit home for a lot of people. This will always be raw for a lot of people in the LGBT+ community and it affected everyone around the whole world. This is what makes this music video special.
From what I have heard from Beyoncé's latest album, it's nothing that interests me, and yet it's flooded with emotion and is completely new and her own. No one can deny the influence Beyoncé has had in the music industry, regardless of the fact that I'm not a fan of her new music. Her new stuff just isn't for me, and maybe once upon a time I did enjoy Beyoncé's music, but she's practically developed her music into something that isn't for me over the past few years. "Hold Up" by Beyoncé is a hate loving exploration for wrecking things with a baseball bat. Progressive from drowning to being in control.
Beyoncé, full name Beyoncé Knowles-Carter, first came on the scene as the lead singer of Destiny's Child. But it wasn't until she went solo that she soon became this massive singer. Now she's poured her heart and soul into her latest album 'Lemonade', which has had mixed reviews from critics and the general public, which explains the not-so-great chart positions she's been pulling in. Regardless of which, her music videos for the album have all been FIRE! This song contains a sample of "Can't Get Used To Losing You" sung by Andy Williams, an interpolation of "Maps" by the Yeah Yeah Yeahs, and an interpolation of "Turn My Swag On" by Soulja Boy. This is why there is a tonne of songwriters... Which are: Thomas Pentz (Diplo), Ezra Koening, Beyoncé Knowles, Emile Haynie, Joshua Tillman, Uzoechi Emenike (MNEK), Sean "Melo-X" Rhoden, Doc Pomus, Mort Shuman, DeAndre Way (Soulja Boy), Antonio Randolph, Kelvin McConnell and Yeah Yeah Yeahs.
Directed by Jonas Åkerlund, the video is part of a one-hour film titled 'Lemonade' which aired on HBO. Seeing only this snippet of the film is questioningly difficult as we haven't seen all parts of the film. However, judgement can only be made on this music video rather than the film as a whole.
The start, the monologue of words which Beyoincé uses to introduce the music video, is suggestive of drowning. That she once succumbed to things and changed herself to become someone.
That is not who she is now, she won't be told what to do, she won't become something she's not. This is who she is, this is the musical direction she has gone down, and she doesn't care what anyone else thinks.
The steps scene is my favourite, she looks like a sea creature breaking the surface, becoming a land creature. As she walks the streets, she grabs a bat and starts taking her hatred out on cars, shop windows, cameras and a hydrant. Although all she feels is happiness.
Overall, this video isn't exactly complete, what with it being a part of the one-hour 'Lemonade' film. However, it does relate to the song well, and it's a great reflection on how Beyoncé is feeling at the moment. There's not a lot else to say, although baseball bats seem to be in right now after Suicide Squad's Harley Quinn.
Last week I had two options for Chart Mondays, or so I thought... And I chose Calum Scott's "Dancing On My Own", knowing full well that my other option would make it to the top of the UK Chart this week, and it sure did.
Little did I know that The Chainsmokers hasn't released a music video for "Closer" which features Halsey, This is the song that is currently sitting pretty on the top of the UK Chart.
Regardless, if I had known this last week, I wouldn't have seen it as a choice. My opinion may have been slightly different, that being said, we can't dip into the past and change things around to see what the outcome would be.
End of the day, this is the fifth time I've not had a video to review for Chart Mondays due to the fact that I have already reviewed all the music videos for the entire UK Top 10 Singles Chart, apart from the ones that haven't been released yet, obviously.
Time to reminisce over my past reviews as click the links to the UK's Top 10:
To finish off this blog post, here's a little question to think about...
Is streaming services wrecking the UK chart?
Just a quick glance at the UK iTunes Chart tells an extremely different story... They said streams won't affect songs near the top of the chart, but it clearly has. In America, they count YouTube plays and various other things towards the Billboard Chart. Things are going to have to change, mainly because the chart is supposed to show what music is most popular, and although that may be the case, slightly, I'm sure that top 10 isn't the current most popular music in the UK.
What do you think? Let me know below or on my social channels.
After a random tweet suggestion asking me to watch this music video; it's time for Bronnie to be a part of my blog. Inspiring musician, Bronnie is ready to bring back the pop/rock music we all fell in love with a decade or so ago. Unsigned and going after her dreams, Bronnie is fighting for what she wants, and totally inspiring a lot of people. With a massive fan base on Twitter, it's only a matter of time before Bronnie makes it big. Bronnie rocks on this "High School Sucks" track, showing scenes of her recording session at Edge Recording Studio as well as scenes from famous films to relate to the lyrics.
Bronnie, full name Bronnie Hughes, is an 18-year-old singer who is currently unsigned. She has currently over 300,000 views on her YouTube Channel. A total of two releases on iTunes, one of which is a Christmas song. She takes inspiration from 00's pop/rock music from Avril Lavigne to Busted to Bowling For Soup. She won the Ryan Seacrest Cover Song Contest, and has been in musical theatre since she was seven. This girl is focused and driven, and is definitely someone to keep your eye on. Requesting the help of Josh Bentley, Patrick Doyle, and Tom Atkinson of the band Liberty Calling, Bronnie recorded this song at Edge Recording Studio, where many famous acts before her have recorded songs and albums. She announced in a behind the scenes video clip, that she wrote the song in February 2015.
The video is less high school and more recording studio, although high school clips from famous films are shown throughout, which nicely links in with the lyrics.
Great visual editing throughout, it really shows Bronnie as this up-and-coming star. It introduces her as a singer-songwriter, showing what she's been up to with this song.
Various clips from American Pie are intercut with a perfect visual of Bronnie. Relating in perfect timing to the lyrics, especially the ode to Sum 41.
As for the performance scenes, Bronnie is on form, you can tell how much she loves this song, and what it means to her. Full of life, in the video, her bubbly charm can be seen throughout and even in the BTS videos. She's a positive person and so genuine, which she easily outputs in the video. If she replicates that on stage, which she no doubt does, then anyone who goes to see her live will be in for a treat.
This is Bronnie, and we all better watch out for her. This video shows her time at Edge Recording Studio, as well as her upbeat positive vibe and performance presence. This is who she is, prepared to bring back the pop/rock genre we all loved a decade ago. Making it current and making it new, Bronnie is ready, are you?
We all have to admit, this track was FIRE when it was released; actually, all of the Pussycat Dolls' songs were TUNES! This was sung on The X Factor today, and I just had to review the video. The problem I had back then was Nicole Scherzinger taking on the lead vocals and the other girls were more like backup singers. Regardless, I still bought the albums and singles. They were full of sassiness and sexiness, much like Fifth Harmony now, only with a lead singer. Totally turning themselves into strippers, the Pussycat Dolls loosen up some "Buttons" with Snoop Dogg in this music video.
The Pussycat Dolls were a six-piece group, at this time, consisting of Nicole Scherzinger, Carmit Bachar, Ashley Roberts, Jessica Sutta, Kimberly Wyatt and Melody Thornton. They made a massive name for themselves back then, becoming one of the biggest American girl groups around at the time. Regardless of the problem with Nicole Scherzinger being the lead singer and the other girls giving backing vocals, the songs were amazing, enough for people to forget about the problem with the group and just focus on the songs. If it weren't for this group, we may never have had Nicole Scherzinger. Yes, she may have made it all on her own, but I doubt she would be as big as she is right now. Not only that but the other girls have started making a career for themselves now too, which really proves that each girl in this group are just as good as one another and deserve to be a part of the music industry. They only had two albums, but if lyrics were shared like other current girl groups do now, then maybe they would've continued. The song features Snoop Dogg, real name Calvin Broadus Jr., who's one of the biggest rappers in the world, and he's made his name, he's made his fortune and he is still releasing music for his fans. This song was written by Sean Garrett, Jamal "Polow da Don" Jones, Jason Perry, Nicole Scherzinger and Calvin "Snoop Dogg" Broadus Jr.
Directed by Francis Lawrence, this music video is sexy, stylish and totally relatable. There's some great editing work in the video, with the fire and the chairs definitely making the girls look even more hotter.
There are continuity edits that annoy me, though. During the chair scene and the fire dancing scene, the girls lose a member. Melody Thornton isn't involved in these two scenes. She's definitely not a part of the chair lap-dance scene, with the Pussycat Dolls dropping down to five members. As for the fire dancing scene, she disappears when the girls are on their backs in a circle formation, only she reappears later on when the circle is finished. For those of you who notice this, it's an annoyance that I certainly can't get over. It's bad enough that Nicole Scherzinger takes the spotlight in the verses and most of the choruses, but excluding Melody Thornton completely is shocking, even if it was at her request.
Snoop Dogg's inclusion is mysteriously intricate. He's seen as this guy who the girls want to be with, and his rap lyrics does the song justice, but he just doesn't look the part.
Overall, sexy, stylish and on form throughout. A few annoying continuity edited scenes that although are worked well with the help of some CGI, it tries to hide the fact that they are missing a girl.
