This is the second time these two have competed in the Eurovision Song Contest before, back in 2010. However, they did much better back then, than they did in 2014. Yet, as a collaborative effort, they work well together, and we can only hope that they continue to come together on some songs in the future. This act managed to score Romania 72 points, placing them 12th. In the video, Paula Seling and OVI play the piano in a flooded room, two dancers show their skills amongst the water, while Paula Seling hits that all important long note.
Paula Seling and OVI competed in the 2010 contest and came third with song "Playing With Fire", unfortunately this song didn't have quite the same reaction, but the 2014 contest was extremely competitive. Paula Seling is one of the biggest female Romanian singers, completely known in her own country, she has released a number of albums and singles. She has yet to crack the international market, although she is known among Eurovision fans, maybe she'll return again one year. OVI, real name Ovidiu Cernăuţeanu, is a Romanian-Norwegian singer-songwriter, producer and musician. He has had a successful career to date. His songs have been on-form and has managed to hit charts around the world. If he continues, he will definitely make a name for himself, if he hasn't done so already within his own country. To become the Romanian entrant in the Eurovision Song Contest 2014, they took part in Selecția Națională and won. This song was written by Ovi Jacobsen, Philip Halloun, Frida Amundsen and Beyond51. The song contains an extraordinary long note, which Paula Seling nails every time, not many singers could hold a note for that long.
Directed by Alex Ceauşu, the video doesn't have much to it. A complete performance piece with Paula Seling and OVI, both together and separately. As well as a dance sequence, performed in the same room which features dancers Judith State and Mircea Andrei Ghinea.
There is not much going on in the video, Paula Seling and OVI give out great performance vibes as they sing the song, but the dancers distract from their performance at times. However, when they're playing the piano, I lose interest and I focus on the dancers more.
The dance choreography is intricately amazing, although some sequences look slightly messy as if they didn't fully finish the sequence, or we're missing some choreography. It could be all in the way it was edited, because it's undeniable how great Judith State and Mircea Andrei Ghinea are.
As for the setting, I don't really get why it changes from a flooded room into a spring seasonal room. It's as if they were hoping it to be the big miracle reveal and it just fails to amaze us or interest us. It distracts the viewers more than anything.
Overall, there doesn't seem to be any link in with the song, and the choreography may be brilliant but doesn't reflect the meaning behind the song. Paula Seling and OVI performed this much better live on the stage than they did in the music video. Although as a whole, it's not too bad. This song was my favourite that year; I voted many times for them to win,
If someone had told me a year ago that Imagine Dragons would be teaming up with a bunch of rappers including Lil Wayne and fellow rock band X Ambassadors, I would've laughed in that person's face. This collaborative effort mixes indie and rock with extremely current rap and some old skool rap too, and it works so well! It was part of the Suicide Squad soundtrack, hence why there are clips of the film shown throughout. A big collaborative effort for this video set in Belle Reve. Lil Wayne, Wiz Khalifa and Imagine Dragons are in the DC prison with Logic, Ty Dollar $ign and X Ambassadors for "Sucker For Pain".
Lil Wayne, real name Dwayne Carter Jr., is one of the biggest prolific rappers in the world, having had many hits he has really made a name for himself. But I never thought he'll ever collaborate with an indie rock band! Imagine Dragons have come a long way since they hit the music scene back in 2012. They currently consist of Dan Reynolds, Daniel Wayne Sermon, Ben McKee, Daniel Platzman and Will Wells. The group have been doing well for themselves and will definitely continue to bat out hit after hit. Wiz Khalifa, real name Cameron Thomaz, needs no introduction since he is one of the biggest current rappers about at the moment and he will continue to impact the music industry in a big way. This song features Logic, real name Sir Robert Hall II, is fairly new on the scene, especially in the UK, with this song being the only one to chart over here, and yet his rap is so on point in this song that he definitely stands out. I'd keep my eye on Logic, he is bound to have a hit solo single in the future. Ty Dollar $ign is fairly new in the UK public eye, real name Tyrone Griffin Jr., he is mostly known for his collaboration with Fifth Harmony on "Work For Home", as well as featuring on Nick Jonas' "Bacon". He is definitely coming into his own as a rapper and people just want to work with him, and we can't blame them. X Ambassadors is another rock band and completes this collaboration. They consist of Sam Harris, Casey Harris, Noah Feldshuh and Adam Levin. They have had limited success so far and have collaborated with some prolific stars. This won't be the last we've heard from them. This isn't something we would expect, yet it works so well, especially as part of the soundtrack to Suicide Squad which also includes twenty one pilots' "Heathens". This song was written by Dwayne Michael Carter Jr., Cameron Tomaz, Sir Robert Hall II, Tyrone Griffin Jr., Ben McKee, Dan Platzman, Dan Reynolds, Wayne Sermon, Sam Harris and Alexander Grant.
Since the song is part of the Suicide Squad soundtrack, we totally expected to have scenes from the film intercut throughout and that is exactly what we got. Not only that, but it's set in Belle Reve, the DC prison. The concept can also be seen in twenty one pilots' "Heathens".
Linking in well, the artists are all performing in various contained cells. A full performance piece throughout that really showcases each of the singers, although the bands themselves aren't highlighted that well.
Logic completely dominates in the visual clip and in the song, his rap is on fire throughout as everything else fades away. As a complete package, the song works and it is catchy. The visual video is great and each act has something to give to the video.
On the other hand, there isn't a lot going on in the video, there's not enough to comment on, and at the same time, it's difficult to watch as there just is too many singers in this video. It's like they're all competing to have the most visual time, although as soon as Logic turns up, he completely wins us over.
Martin Garrix is back in the top ten everybody, finally! Since the number one spot is held by The Chainsmokers featuring Halsey with "Closer", which currently does not have a music video, it has opened the top ten up for my Chart Mondays special. Just inside the top ten is this song, a collaboration between Martin Garrix and Bebe Rexha. It's unsurprising to see it up in the charts since it is infectiously catchy. Bebe Rexha and Martin Garrix watch a storm attack their pool before diving off the boards caressing one another amongst the water and the fish all "In The Name Of Love".
Martin Garrix, real name Martijn Garritsen, is mostly known for his number one hit "Animals", his follow-up singles didn't do so well and he soon disappeared. Now he's back with another hit song, filled with synths and raging beats that we can't get enough of, which is complemented by a wonderful female vocal, this song is fire! Bebe Rexha, real name Bleta Rexha, is a star in the making, slowly but surely working her way up in the music industry and the global charts, she's hitting out the bangers at the minute and featuring on all the important songs. A fighter makes her way to the top, keep your eyes on Bebe Rexha, because with a vocal range like this, she'll make it to the top. This song was written by Martijn Garritsen, Matthew Radosevich, Ruth Anne Cunningham, Stephen Philibin, Ilsey Juber, Bebe Rexha and Yael Nahar.
This is visually amazing, a stunning video throughout. It is completely well edited and definitely brilliant to watch.
The whole thing is mainly a performance piece of Bebe Rexha, with Martin Garrix appearing quite static throughout. As the storm rolls in, the amazing editors make the water splash in time with the musical synths, whilst the storm also rages in time with the music.
Bebe Rexha and Martin Garrix just stand there watching the storm rip away what should be gentle scenery, before jumping in and becoming one with the storm, all in the name of love.
The whole concept is beautiful and intricate, but there's just something missing, it isn't as engaging as it should be, and they don't quite manage to portray love towards one another, they seem like friends rather than anything more. There's not a lot else to comment on, apart from seeing fish in the pool, which is a unique twist.
Let's be honest, MØ has been trying unsuccessfully to crack the worldwide charts for a few years now, luckily she teamed up with Major Lazer and the rest is history. This song has blown up, especially after the amazing "Lean On" and "Cold Water", if it wasn't for those songs, would this have done so well globally? There are a tonne of amazing songs that just doesn't get the recognition that they truly deserve and this could've been one of them. However, that fate is left to many other songs as this one rages the charts around the world. MØ acts sweet and innocent throughout this video, showing off her performance vibes to this Final Song, but it won't be her last!
MØ, real name Karen Marie Ørsted Andersen, has released quite a few singles, but this is the song that has pushed her into success. Her collaborations are what have given her the fame to gain momentum in the music industry. As I've said many times before, promotion is key, MØ has promoted herself as an artist by featuring on songs that become popular. Now she's impacting the music industry in a big way, but she needs to hold on to her popularity as it can easily slip and MØ could easily disappear. However, she's built herself up to this point, so I doubt she'll lose it completely like many have done before her. This song is so catchy, that it kind of reminds me of "Fight Song" by Rachel Platten, it has the same feel to it, and the more it's heard the more appealing it becomes. It was written by Karen Marie Ørsted, Noonie Bao and Uzo Emenike (known as MNEK). The latter songwriter has been on form lately, writing and collaborating with amazing stars.
Directed by Tomas Whitmore, it is effortlessly beautiful throughout. MØ has this performance style that is unbeatable, it's rare to find in a singer, but she has got it. So much energy released out to her listeners and watchers, I'm in awe of her.
Her dancing is on point throughout. There is not a lot of movement in the choreography, but I guess floating effortlessly does take it's toll on the body. Her lines are flawless, this is a girl who can dance and stylishly too.
The shadow effects on the desert floor are awesome to watch throughout, but it's the floating that is perfection. It takes skill to perfect floating nicely, yet MØ works it look totally natural. This is so believable that it looks too real. We all know it's special effects, and yet it's more that perfection, it's more than flawless, it just works amazingly!
Overall, this performance piece is engaging, interesting and totally out of this world. MØ is a rising star, and I hope she continues her success in her upcoming music ventures because if this is what she can do in a music video, she must be brilliant live on stage. This video may be missing a narrative, but the performance definitely makes up for it.
Ariana Grande has always been one of those people I have kept my eye on. Her music is amazing and her vocal ability is outstanding, and this song just proves my point and even though I don't love it as much as her previous songs, I can't deny that it touches me and it's catchy. Ariana Grande goes to the Honeymoon Inn with her bodyguard lover, but as he watches over her at a party, she spots an ex; she soon leaves with the bodyguard following, ready to take her away.
Ariana Grande first hit the scene in TV show Victorious playing Cat Valentine before starring in a spin-off show. Now, she is long from that children's series and now is one of the hottest female singers in the world, definitely the pop princess of this generation. She's worked hard to get where she is now and she has had the career many have dreamed of. She won't stop, that's for sure, especially when she keeps releasing fire song after fire song. This song was written by Max Martin, Savan Kotecha, Alexander Kronlund, Ilya Salmanzadeh and Ariana Grande.
Directed by Hannah Lux Davis and featuring actor Don Benjamin as Ariana Grande's love interest, the video is both narrative and performance based, more focusing on the relationship between Ariana Grande and Don Benjamin.
The narrative side of the video is very romanticised. It's clear that these two manage to establish a connection, really focusing on the love for each other. They easily fall into their character roles although it's clear that kissing one another was a little held back.
However, the two manage to be playful and manage to portray chemistry which is usually found at the start of relationships.
As Don Benjamin watches over her at a party, we see her not having the best time as she spots one of her ex's kissing another girl. I would have also left the party if I were her, shame I haven't got a sexy bodyguard watching over me and prepared to whisk me away on a motorbike, maybe one day.
As for the short performance scene shown throughout, Ariana Grande clearly means every word she is singing. This song means a lot to her, and it means a lot to me too, because people need the confidence to make a move, it's why I always end up making a move. Confidence should always be rewarded in my book, and clearly Ariana Grande agrees.
As a complete package, this video has it all, but the narrative is slightly confusing. The kissing scenes seem awkward and unnatural. However, they make it up to the watchers in the end as they manage to show chemistry and complete engagement throughout.
Melanie C is back with this scorching new song, which I'm sure DJ's will be remixing this song like crazy. I feel like this needs to be played whilst I'm on the dancefloor but maybe a remix version, there's just something that isn't quite giving me the club vibe that is probably meant to be there. Catchy nonetheless, though. Melanie C dances her way through this performance-based video for "Anymore" whilst we see home-videos of dancers.
Melanie C, full name Melanie Chisholm, has said she won't be reforming with the Spice Girls along with Victoria Beckham, leaving Mel B, Geri Horner and Emma Bunton to go as a three-piece. But this is the reason why Melanie C isn't signing up to reform, she's relaunching her solo career, again, and although the single isn't doing that well on the UK iTunes Chart, I can see this being a grower and a climber, because this tune is banging once you've heard it a few times. It is the lead single from her seventh studio album, she has never had a UK number one album yet, could she do it this time around?
There's not a lot to this music video. Melanie C's theatrical performance piece is spot-on, which is what we expect from her. She floods the song with emotion as she lets go during the chorus. The only problem I have is that the chorus feels more like a bridge, and I'm expecting something even more catchy, but it just doesn't quite hit the mark.
As for the scenes intercut throughout, there's nothing enlightening. I feel like a watcher, or someone walking past these people who are dancing on the street. I feel no connection whatsoever, and so their dancing doesn't move me one bit. Yet I feel like that's the whole plan and it links in with the lyrics more, so it's quite clever, yet it pushes the audience away.
This one's a hard one, it's relatable to an extent and yet it fails to draw interest from the watchers. I feel like there's no substance to this video, yet there's no substance to the song either. I feel like we're missing a major catchy chorus, and I just feel lost during the video even if it is relatable in every way. What are your thoughts?
Talk about launching back on to the scene, after Nicole Scherzinger's first attempt at going solo failed, the girls reunited with Nicole Scherzinger as the main lead singer with the girls as total backing dancers and singers. Yet they burst back out with this awesome song that really put them back in the spotlight. The Pussycat Dolls parade around the street as a traffic jam stops them from going to the studio, where they nail some amazing choreography, "When I Grow Up" is a dance-powerhouse.
The Pussycat Dolls were a six-piece girl group but lost a member for their second album so here they are a five-piece consisting of Nicole Scherzinger, Ashley Roberts, Kimberly Wyatt, Melody Thornton and Jessica Sutta. This was the first single from their second album, and many people thought Nicole Scherzinger said something very different other than 'groupies' in the chorus, this is an old joke that people still use today. The song reached number three on the UK chart, which is pretty good. The song was written by Rodney Jerkins, Theron Thomas, Timothy Thomas, Jim McCarty and Paul Samwell-Smith. The song samples "He's Always There" by The Yardbirds.
The director was Joseph Khan... Definitely becoming a household name on my blog, he has clearly made the best music videos and is already majorly respected in the music video industry.
Following every other singer stuck in a traffic jam, these girls jump out of the car and never return, making sure they get to their destination while creating their own traffic jam, naturally. However, respect for The Saturdays, who return to their car in the music video for "Higher"!
Now, ignoring Nicole Scherzinger as lead, and kind of only, vocalist; these girls bring fire with their dancing. Any choreography thrown at them, they perform with perfect technique that definitely made this girl group one to watch. To nail these dance moves is something most girl groups will struggle with. First and foremost these girls are mainly dancers, and although Nicole Scherzinger has the spotlight, they can definitely draw in harmonies together.
There's not a lot else to say, apart from the guys staring at them whilst their girlfriends get a little mad. The Pussycat Dolls may be missing one member during this video and their subsequent ones, but we're kind of used to it since "Buttons" has continuity errors.
This was the whistling song in the Eurovision Song Contest 2014 and it's definitely upbeat, which definitely helped overall. Sebalter entered for Switzerland and managed to get them 64 points placing the country 13th, which is pretty good going. This cute number will definitely cheer you up, unless you're like me and can't whistle at all, and so can't whistle along with everyone else. Sebalter is the "Hunter of Stars" as he whistled his way through a hotel as a concierge and a hotel chef, as well as the Eurovision Song Contest, finally winning everyone over including his boss.
Sebalter, real name Sebastiano Paù-Lessi, was originally a part of a group called The Vad Vuc, who went on to release three albums before he left to pursue a solo career. He entered Die Große Entscheidungsshow, which is Switzerland's national selection process, in which he won in 2014. The song did well at Eurovision and even did well in charts around Europe after the contest. Sebalter went on to release an album and a follow-up single but has since not released anything new. The song was written by Sebastiano Paù-Lessi.
The video was directed by Nick Rusconi and was filmed at Hotel Royal Splendide in Lugano, Switzerland. Quite tongue-in-cheek and definitely upbeat to go with the song, Sebalter plays a comical character and really shows his acting abilities, and slight dance moves.
Working inside of a hotel, Sebalter releases singing energy in front of unexpected guests, and his very unhappy boss. Even worse, is when he is in the kitchen making spaghetti and it flies through the air and lands on his boss, which was obviously going to happen. But finally, after joyfully playing his song up and down the corridor on the luggage cart, he settles down, playing his song and wins his boss over.
A great happy performance piece with a very obvious yet comical narrative piece. Overall this video is great fun and hilarious. Yet the song has a hidden meaning behind the deceptive lyrics and it is quite emotional. Yet they've focused on the happy sound of the song and the cheerfulness of the song is why it did so well at Eurovision.
Rumoured to be about the Orlando Shooting, this music video really does hit home for many people. It's so theatrical with amazing dancing and choreography which we totally expect from Maddie Zieger now. This whole music video is shockingly great, and Sia's lyrics is definitely just as good. Inspiring the whole world not to give up, Sia's song is pretty catchy, but it's the video with Maddie Zieger that really makes this "The Greatest", especially when it's supposedly about the Orlando Shooting.
Sia, full name Sia Furler, has really come into her own in the last few years. Now she's one of the most talked-about female singers as well as one of the most popular. Her songs have always cut deep and has always been superb. Now she's back with this new song which will be the lead single from her eighth studio album, which will do amazingly worldwide. This song originally features a rap from Kendrick Lamar, however. the rap verse has been taken out for this music video. The song was written by Sia Furler and Greg Kurstin.
Directed by Sia and Daniel Askill, with the choreography done by Ryan Heffington. This video is full of emotion, and even though the dance sequences are crazy, as always whenever Maddie Zieger dances, it's so full of emotion just like the song.
I love the start and the end, how Maddie Zieger paints rainbows on her cheeks using her hands, and she's clearly upset. The song suggests to keep your head up, and so Maddie Zieger shows that in her performance.
All the kids perform amazingly, of course, Maddie Zieger stands out the most, and her wacky faces make this serious music video wacky and hilarious at the same time, yet as we journey through dance, we get to the powerful ending where they're dancing together as a group, as one, before falling to the ground and holes can be seen through the walls, suggesting bullet holes.
The last scene is Maddie Zieger crying, this is so powerful and so emotional and does hit home for a lot of people. This will always be raw for a lot of people in the LGBT+ community and it affected everyone around the whole world. This is what makes this music video special.
From what I have heard from Beyoncé's latest album, it's nothing that interests me, and yet it's flooded with emotion and is completely new and her own. No one can deny the influence Beyoncé has had in the music industry, regardless of the fact that I'm not a fan of her new music. Her new stuff just isn't for me, and maybe once upon a time I did enjoy Beyoncé's music, but she's practically developed her music into something that isn't for me over the past few years. "Hold Up" by Beyoncé is a hate loving exploration for wrecking things with a baseball bat. Progressive from drowning to being in control.
Beyoncé, full name Beyoncé Knowles-Carter, first came on the scene as the lead singer of Destiny's Child. But it wasn't until she went solo that she soon became this massive singer. Now she's poured her heart and soul into her latest album 'Lemonade', which has had mixed reviews from critics and the general public, which explains the not-so-great chart positions she's been pulling in. Regardless of which, her music videos for the album have all been FIRE! This song contains a sample of "Can't Get Used To Losing You" sung by Andy Williams, an interpolation of "Maps" by the Yeah Yeah Yeahs, and an interpolation of "Turn My Swag On" by Soulja Boy. This is why there is a tonne of songwriters... Which are: Thomas Pentz (Diplo), Ezra Koening, Beyoncé Knowles, Emile Haynie, Joshua Tillman, Uzoechi Emenike (MNEK), Sean "Melo-X" Rhoden, Doc Pomus, Mort Shuman, DeAndre Way (Soulja Boy), Antonio Randolph, Kelvin McConnell and Yeah Yeah Yeahs.
Directed by Jonas Åkerlund, the video is part of a one-hour film titled 'Lemonade' which aired on HBO. Seeing only this snippet of the film is questioningly difficult as we haven't seen all parts of the film. However, judgement can only be made on this music video rather than the film as a whole.
The start, the monologue of words which Beyoincé uses to introduce the music video, is suggestive of drowning. That she once succumbed to things and changed herself to become someone.
That is not who she is now, she won't be told what to do, she won't become something she's not. This is who she is, this is the musical direction she has gone down, and she doesn't care what anyone else thinks.
The steps scene is my favourite, she looks like a sea creature breaking the surface, becoming a land creature. As she walks the streets, she grabs a bat and starts taking her hatred out on cars, shop windows, cameras and a hydrant. Although all she feels is happiness.
Overall, this video isn't exactly complete, what with it being a part of the one-hour 'Lemonade' film. However, it does relate to the song well, and it's a great reflection on how Beyoncé is feeling at the moment. There's not a lot else to say, although baseball bats seem to be in right now after Suicide Squad's Harley Quinn.
