I reviewed the current number one, Ed Sheeran's "Shape of You", last week, and so it opened the top ten of the UK singles chart to my music video Chart Monday review. So I chose this one as it's slowly dropping out of the top ten and I truly believe it will not be there this Friday. I was planning on reviewing it a few weeks ago, but I saw it was heading into the UK top ten, so I chose a different video instead and watched this climb up. The music video for "September Song" is completely sweet as we watch a guy and a girl completes a sign, all the while thinking about their past as JP Cooper's amazing vocals sing throughout.
JP Cooper, real name John Paul Cooper, has been fighting for a career in music for many years, having dropped his first EP back in 2012. Finally, at the end of 2016 and now in 2017 he is getting the recognition he totally deserves. His vocals are stunning throughout this music video, just they are in his previous featured song, by Jonas Blue titled "Perfect Strangers" which totally helped to make his name. This certainly isn't going to be his last hit, and I cannot wait to see what his future releases are like. The song was written by John Paul Cooper, Ben Hudson, Jon Hume, and Teemu Brunila.
The music video was directed by ARNE + KINSKI. It stars James Short and Madeline Ross, who play the main two characters in the sweet storyline.
Both a narrative and a performance piece to this, although the latter is hidden in slight shots behind the narrative itself. JP Cooper oozes charisma, his subtle and simple performance comes off totally intricate and emotional. Give this guy a stage and he'll impress everyone, no doubt about it.
The narrative is the most important part of this music video, though. Actor James Short totally works the camera, you can see how much longing is in his body language and the way he acts. He looks out the window, watching actress Madeline Ross start to paint on the gate, but she only manages to paint: "Be realistic plc", the 'c' is clearly unfinished and she runs off at the sounds of sirens with blue flashing lights appear. James Short follows her with his eyes.
We see some brilliant flashbacks of when they were young, we guess from the song that they were fifteen in these clips since the song is about being young and in love. It's clear it didn't work out in the past, but James Short still has those same feelings.
He looks at her word art during the day and later follows the steps she took that night, reliving his experience with her. His ultimate longing shot is when he's lying on top of the building, basking in her presence from the night before. He later returns to the gate and finishes off the word art, although whether the words he ended it with were the ones she planned on writing, is something we'll never quite know.
The cute ending scene is during the night when she returns to the gate and sees that he has completed her words, now it reads: "Be positive plan for a miracle". Which is slightly tongue-in-cheek since he finished off her plan. They stare at each other in a lovely connection moment. What goes on next is anyone's guess.
Overall, this music video is a brilliant interpretation of the song. It's realistic with no gimmicks, just lovely, passionate, memorable longing that we all have probably felt, now and again. I would've liked to have seen more shots of JP Cooper performing the song, but this storyline is so beautiful that I'm glad we got to see it as a whole.
Decided this week I'm going to focus on reviewing male singers, purely because I feel like I'm flooding my blog with female artists, and I need to switch it up a bit. This song and video has been talked about a lot over the last week or so, so I thought I might as well review it on here. The song is amazing and the music video is pretty sexy too! Watch Ansel Elgort topless and kissing someone, looking toned throughout this music video for "Thief" all before he leaves her all alone because he believes he isn't good enough.
Ansel Elgort is mostly known for his acting roles, especially in the Divergent series, as well as The Fault In Our Stars and Paper Towns. He has subtly focused on a musical career with a few releases under his belt as well as remixes. However, this song acts as his debut music video, and it is as hot as hell and has gained phenomenal promotion in the last few days. No wonder his name is on everyone's lips. The song was written by Ansel Elgort, Kyle Trewartha, Tom Norris, and Christopher J Baran.
Directed by Warren Elgort, the music video sees Ansel Elgort relaxed throughout, he clearly has no problem showing off his body, to which we totally love seeing.
There is both a performance side and a narrative side. Some people have described the whole thing cringe-worthy, and you can see where they are coming from; the dancing is totally freestyle during the performance piece, suggesting that even though he can move, he really needs guidance and choreography. Otherwise, the performance is on point, and he shows off his body during that part which is completely fine with us.
The storyline sees Ansel Elgort get it on with a woman in what could be a hotel room. They undress, he does a few push-ups in his boxers, she just lies sultrily on the bed. They do an upside-down kiss, a slight ode to spiderman obviously. The story gets sexier and sexier until we see Ansel Elgort clothing himself and leaving her in the bed.
Overall, this totally relates to the song, it's full-on sexy and hot, there are no other words to describe this. I would've preferred to have seen a choreographed sequence rather than his freelance 'cringe-worthy' dancing, yet he exudes confidence so totally pulls it off, along with his clothes. This is totally the right step in his musical career.
This was bound to appear on my blog soon, so why not now? Hello Troye Sivan, who is totally my top LGBT+ singer out at the moment, whilst Steve Grand works on his new album and, my newly found, Rayvon Owen is probably also working on new music. Regardless, Troye Sivan pretty much found me, and I will not stop being grateful for the imprint he is leaving online, for the world. I just wish there was someone like him to influence me when I was younger. Troye Sivan shows the troubles and tribulations people have gone through to get to this point for LGBT+ people, the "Heaven" video is more than just a tribute, it's defining.
Troye Sivan, real name Troye Sivan Mellet, the YouTuber turned singer who has hit the world by storm. His music has already touched millions with his songs and impacted many within the LGBT+ community with his stunning confident music videos. His debut album charted well globally, although his singles have done all right. It's a tough market to crack, but if there's anything about Troye Sivan, it's that he never gives up, and he totally believes that he is doing what he needs to do, and it is definitely paying off. This is his new single in collaboration with Betty Who, real name Jessica Newham. She is signed to RCA records and made her name because Spencer Stout uploaded his flash mob proposal to his boyfriend on YouTube with her song. Now she's collaborated with Troye Sivan, and what a song this is! It was written by Troye Sivan. Alexandra Robotham, Jack Antonoff, and Claire Boucher.
Directed by Luke Gilford, the black and white music video sees Troye Sivan in a sexy performance visual where he is embraced by an unfaced shirtless guy. They clearly care for one another; unfortunately, Troye Sivan is clothed throughout.
There are many monumental clips shown throughout including a scene of assassinated gay rights leader Harvey Milk, various gay pride parades and same-sex marriages.
What makes this video inspirational is that both artists are Australian, and the country has yet to pass the same-sex marriage bill. The video completely shows how far we have gone, but it still makes people think how much further we still have to go. It works completely, and it's totally relatable to the song. I do hate black and white music videos. though I can understand it suggests the past with the footage used, but I would've liked to have seen Troye Sivan's performance and cuddling in colour - and topless.
After looking over all the new releases this week, I could only come across two songs that have music videos, this one and Stormzy's "Big For Your Boots", I'm not a fan of either artist, but I have reviewed Stormzy before, whereas this is the first time London Grammar have appeared on my blog, so I might as well switch it up a bit. This song is their second single from their upcoming new album. London Grammar shows off scenic beauty and beautiful starry night skies in overlays during a performance piece of "Big Picture", this music video is glittery, space-like and quite artsy.
London Grammar are a three-piece British indie-pop group consisting of Dominic 'Dot' Major, Hannah Reid, and Dan Rothman. They've done well for themselves after the release of their debut album. They haven't quite had a hit single, yet, although "Strong" has been their highest charting single globally so far. This new album could bring an interesting direction for the group as they continue to go from strength to strength. This song was written by the group themselves.
Directed by Sophie Müller, this video focuses more on scenic beauties, of space and the stars, of mountains, and of glitter. The striking overlays really capture the essence of the song and completely shows the band off brilliantly during their performance piece.
The group shines throughout as they perform the song, it's clear that they have a major stage presence and Hannah Reid's voice totally captures the audience. This is one group that will knock it out of the stadium if you were to go to their concert.
There isn't much else for me to comment on. It's been edited well, with the overlays transitioning effectively and they transparently contrast with the performance visual of the video. It works well and is definitely relatable to the song. No narrative, but shadows are used intricately. It's good but not entirely addictively engaging.
Missy Elliott hasn't been a part of my blog much, so I thought: why not do an old music video of hers for my Thursday Revisit... And so, here we are, with this awesome song that is still catchy today. I recently reviewed an Indiginis Re-Work of this song for Outlet Magazine, which has totally changed the song completely. This is why I like Thursday Revisits because here is an epic music video from back in the day that is still complete fire. Missy Elliott brings it completely for this "Get Ur Freak On" music video, with Timberland in the background and an on-point dance troupe. It's time to get ur freak on!
Missy Elliott, real name Melissa Elliott, was at the height of her career when this song came out. It became one of her biggest hits and became current a second time in the UK when it was used for a promotional campaign television advertisement. She went on to have even bigger and more successful singles and has collaborated with some of the biggest artists in the industry. She is at the top when it comes to female rappers. This song hit number four on the UK chart. It was written by Melissa Elliott and Tim Mosley.
The track starts off with a guy saying this, in Japanese: "Kore kara minna de mechakucha odotte. Sawagou, sawagou." Translated into English, it means: "Everyone start dancing together wildly now. Let's make some noise, let's make some noise." There are other languages used throughout.
The music video itself was directed by Dave Meyers, who has nailed the whole visual in memorable ways. It's a pure performance piece from Missy Elliott, that completely works with the song.
This is one of her most iconic music videos. This is not because of the dance troupe, with their epic choreography that they perfect throughout this video, even Missy Elliott gets involved. It's technically brilliant, and although it looks simple, I assure you it isn't. What makes this iconic is the editing.
This video was released in 2001, so it just shows how ahead of the game the editing team were. They made Missy Elliott's head extend out from her body in a snake-like neck lurch. What is grossly-awesome, though, is that Missy Elliott spits at one of the dancers, and we follow the spit with the camera and watch the dancer gobble it up and swallow her spit. It is also in line with the lyrics of the song.
The ending of the video switches the song up even more, it wasn't enough that Timberland is just chilling there behind Missy Elliott, she just has to prove her rapping skills at the end, and she is fierce. If there's one track you want to see Missy Elliott perform live, it's this one; and if there's a rap music video that is dated but still completely amazing, it's this one!
