Released today, Mýa is back with a brand new music video. It's completely sensual, which is something we have come to expect from this prolific singer; unfortunately, there isn't a whole lot going on to keep the audience entertained. Regardless, the song is definitely catchy, certainly giving us new Christina Milian vibes - imagine if these two collaborated, now that would be a fired-up track. Watch Mýa be all sexual and dance up to a guy because she is "Ready For Whatever" in this brand new music video.
Mýa, full name Mýa Harrison, has had a lengthy career, she's one of the biggest female singers around; or rather, she was back in the year 2000. She even collaborated with Christina Aguilera, Lil Kim, and P!nk for "Lady Marmalade". Let's be honest, we expected her to keep her fame and fully bring out hit after hit after hit. It's unfortunate that it didn't exactly work out that way for her. Regardless, she kept going and became a contestant on Dancing With The Stars, where she came second in 2009. She's focusing on her music, once again, and it looks like she has some killer tracks, and this is certainly one of them. They may not go viral, they may not chart internationally, but they're songs we'll end up treasuring in future years. This song was released in September, but the video dropped today (10 October). It was written by Mýa Harrison, Kevin McCall, Lamar "Mars" Edwards, and Khirye Tyler.
Directed by Dana Rice and Mýa, the music video doesn't have a lot going on at all. It's a pure performance piece that is sexy and sensual, just like the song.
Bringing it as much as she can, Mýa stuns the viewers by fully embracing the song. She also knocks out some killer choreography that makes us hope there is a dance break; unfortunately, that doesn't happen, and we are left hoping for more. Instead of the dance break that should've been there, Mýa dances flirtatiously towards a guy, totally ready for whatever he wants to do.
Overall, I kind of expected a lot more from Mýa. This music video comes off low-budget, to an extent. She should've gone all out and shown us how she would perform this song on stage, rather than trying to be sensual and meaningful, because it just doesn't work.
At a loss of which music video to write up about, I decided to let iTunes decide for me. The randomiser played a remix of this song, so I thought I might as well write up about this one since I haven't reviewed it yet. The Saturdays were my favourite girl group for some time, and I am still wishing they will get back together as Little Mix and Fifth Harmony dominate the charts globally. For the moment, each of the members have a solo career going for them, so at least they haven't totally disappeared, although we all do miss their pop music. Watch The Saturdays perform with neon light sticks in this brilliant performance-based music video for their song "Not Giving Up".
The Saturdays are currently on hiatus, with no signs of them getting back together anytime soon. They consist of Rochelle Humes, Frankie Bridge, Mollie King, Una Healy, and Vanessa White. The girl group had massive success in the UK but were always trying their best to get the UK Singles Chart Number One, it took them a total of four years to finally hit the top spot; which was "What About Us" featuring Sean Paul. This song was their second-to-last single they ever released and managed to hit the UK Singles Chart at number 19. It was written by Antonio Egizii, Celetia Martin, David Musumeci, Carl Ryden, and Carla Marie Williams.
Directed by Chris Sweeny, the music video doesn't have much of a concept, leaving it all down to the girls to fully knock it out with their performance piece. Unfortunately, there isn't a whole lot they can do with light-up sticks.
Each of The Saturdays have their own profile visuals within the music video; surprisingly, these parts are where the girls fully bring it. They all manage to exude sexiness with their corresponding light up sticks, ropes, and turntable.
As for the group performance, the choreography is pretty basic, which leaves The Saturdays to do their best with what they've been given. Disappointingly, they don't make it work and the choreography falls flat, no matter how much they attempt to style it out.
So, that's it for this music video. There really isn't a lot to it, although I do commend them at how stylish and on-point The Saturdays are. I totally miss them and their music, come and reunite, please!
Time for my Chart Mondays review, and we have a whole new number one. Post Malone is at the top with "Rockstar" featuring 21 Savage; unfortunately, there isn't a music video for the said song, opening up the UK Top 10 to my Chart Mondays review. This song has snuck in at number 10 after climbing up the chart week-on-week. If there's one style of music I'm not really that into, it's hip-hop, and this is certainly not something I would listen to, as well as the current UK number one "Rockstar". Regardless, here we are. Watch Yungen & Yxng Bane sing about a girl they really like whilst performing in the desert as the narrative takes place in the city at night, in this music video for "Bestie".
Yungen, real name Clive "CJ" Brooks, is a British rapper who has been building up his career. This is his biggest hit to date. It's been a difficult road, but he's not one to give up and that is truly inspiring in every way. This collaboration has definitely launched him successfully in the UK, and I'm pretty sure this will help maximise his potential, allowing for future hits to come along. He teams up with Yxng Bane on this track. He has definitely made some waves this year. Yxng Bane followed this track up with a solo song titled "Rihanna" which zoomed right onto the UK Chart and is inside the Top 50 at the moment. He is proving himself to be an important influencer in rap and hip-hop music. I totally expect lots more hits from him in the future. This song was written by Clive Brooks, Amish Patel, and Guystone Menga.
Directed by Oliver Jennings, the music video was shot in Dubai, with the main scene seeing the two rappers performing in the desert. The concept of the narrative isn't something new, we've seen it a few times before. Ignoring that, they do not make it all so clear, and it is pretty difficult to understand and follow.
Shall we start with the performance piece? It is mainly based in the desert, although we do see them in the city performing the song at a gig, in some scenes. Yxng Bane fully gives it, passionately singing the song throughout. Yungen doesn't quite live up to the featured rapper, but he does grab the spotlight at times, giving some power and some meaningful expressions for the song.
As for the narrative, it's clear that the two rappers fall for the same girl. However, that is basically the normal concept, it doesn't seem to go anywhere, there's no build-up of tension, no shocking or memorable moments, nothing that keeps the audience engaged and following the story - well, there isn't even a story just that one concept.
Overall, I feel that there are too many scene swaps. It messes with the viewers as they flick from gorgeous sunshine desert to the nighttime city exploring. The narrative isn't easy to follow and they lose the audience as the visual continues. However, we sure all laughed when we saw one of them fall off the quad bike into the desert sand - that is definitely something that would happen to me.
How have I not reviewed this music video yet? My iTunes played this song randomly today and it made me realise how amazing this track is. Lasgo never quite lived up to this debut single and their later releases were, pretty much, disappointments. They haven't released new music for years and now consist of a duo. I always considered them the Belgium trance act that came before eurodance Cascada. I'm surprised they didn't team up, however, Lasgo did collaborate with Taylor Jones for "Something 2013" which totally refreshed this song. Watch Lasgo at Praha hlavní nádraží (Prague main railway station) as the trio display love and heartbreak during this music video for their debut single "Something".
Lasgo were a three-piece trance group consisting of Evi Goffin, Peter Luts, and Dave McCullen. Now they are a duo consisting of Evi Goffin and Dave McCullen - although no new music has been released since 2013. This track is their biggest hit to date, and I can imagine it being a total smash in clubs. It's one of those songs you really wish will be refreshed for the current club market. We've seen plenty of club classics be refreshed, so why not this one? It's still catchy today and definitely has an air of 90's about it, whilst keeping it modern for its release in 2001. It hit the UK Singles Chart hard, managing to peak at number four.
There's a lot going on in the music video, and at times it feels like it's hard to follow along. Mostly, we see Evi Goffin at the railway station. Time plays an important part in the music video too, with plenty of scenes showing the big clock. The song does have that quickened pace to it as if time is running out, so I do love that they've related it to the video.
What I really do want to point out and give kudos to, is the scene where two women are sitting at a table looking across to each other lovingly. They later hold hands! It's incredible to see support for the LGBTQ+ community in a 2001 music video!
Throughout we see plenty of couples together, making us single people pretty jealous, as well as Evi Goffin - who has the look we all get when we wish we had someone too. According to the clock, she stays at the station for over 6 hours - that is a very long time. She stares at a photo of her lover throughout, and there's a throwback moment of them kissing.
Then ending sees her staring into a locker, which is then closed. It's as if she's looking for that something that he hid from her, but I don't think she ever finds it. The music video is quite confusing, at times, like there's no explanation why that guy deliberately spills the other guy's coffee. However, ignoring the weird scenes, this is a great relatable music video, feels as if it was released recently rather than in the 00's. Regardless, I can't quite grasp the full narrative of this.
Fergie has brought out a music video for each of her tracks on her new album Double Dutchess and since I am a massive fan of her, I'll probably end up reviewing them all, eventually; so I might as well do one today. I covered this music video on CelebMix, as well as all the others. This is one of my favourites out of them all though, it has a "Big Girls Don't Cry" style to it and certainly has a lot of people stating that it is a refreshed version of that track. Watch Fergie become singer Fenix as she deals with a guy who she no longer loves and decides to leave in this powerful music video for her song "Save It Til Morning".
Fergie, real name Fergie Duhamel and previously Stacy Ferguson, dropped her second studio album Double Dutchess, a few weeks ago, and I am still not over how incredible it is. Literally, it's one of the most versatile albums out, showcasing how her beautiful voice can fit into almost any genre. This song is one of a few ballads on the album, one that I simply adore. It has the perfect music video to go alongside it, as well. The song was written by Fergie Duhamel and Toby Gad.
Directed by Alek Keshishian, the music video also has a "Big Girls Don't Cry" vibe to it; with many fans calling it "Big Girls Don't Cry" 2.0, and I'm not surprised because it certainly feels that way.
We watch Fergie acting as singer and diva Fenix whilst her love interest Jimmy Rojas, who is played by Jay Hernandez, acts as her manager and producer, or so we presume. Their relationship unfolds throughout the music video, as we see them love one another and fall out of love with one another. They fight and argue in the present time, with Fergie leaving in the limo at the end.
It certainly is a high-class version of "Big Girls Don't Cry", taking up a whole new version of events. There's even a solid performance piece where she acts classy and shows her strength. Imagine seeing her live, this song would be incredible on stage.
Overall, the music video is brilliant and truly unforgettable. Fergie really brings a strong front with this song and visual, completely nailing it in every way. It's so great to see how versatile she can be.
