Elliot Minor is a band I have followed since their very first single "Parallel Worlds", since then they had a spike of popularity when the amazing song "Still Figuring Out" got released. Recently they are on a hiatus after their most recent album only managed to chart at number 73 and their accompanying singles failed to chart. The band consisted of Alex Davies, Ed Minton, Ed Hetherton, Dan Hetherton and Ali Paul. Ali has left the band indefinitely, and it is unknown if or when the band will reform. The band members are all doing different projects at the minute, Dan, at this time, is in a band called The Dead Famous, who have released two singles thus far. Alex has also formed a band called Spirits, they are currently using PledgeMusic to release their album. The other three band members are all studying. I sincerely hope that this band will reform, but by the looks of things, it seems unlikely.
"I Believe" was this band's last ever single, and it did not chart. Personally I think it's before it's time, and would've fit nicely to have been released next month as it is the perfect song to be included on the soundtrack to the film The Host. Unfortunately it looks like that won't be the case either. The song was written by Alex Davies.
This music video is up there, it's both narrative and performance based, however it's not something I was expecting. But then again I am currently reading The Host by Stephenie Meyer, so it's quite hard not to imagine a video quite similar to the book. This song NEEDS to become part of the soundtrack to this film!
The narrative side is quite the opposite to the performance side. Here we have a rock band playing instruments and singing a catchy song, on the other side we have someone performing ballet, however she has dark problems enveloping her and so ballet can be seen as a way to escape just like music can help people escape too.
Overall a song that needs to be on a certain film's soundtrack. It's accompanying music video has everything it needs to give me top marks, but I don't think there is a big enough link with the narrative and the song, so that is why I'm dropping one star. I still have my fingers crossed a reformation will happen sometime in the near future.
Of Monsters And Men are a band from Iceland and have become quite well-known across the globe, their popularity just keeps getting bigger and bigger. They were a band of six members but one has left (apparently) so now they're down to five. But when the music video was recorded there was 6 members and so I shall list all of them. The members include Nanna Bryndís Hilmarsdóttir, Ragnar þórhallsson, Brynjar Leifsson, Arnar Rósenkranz Hilmarsson, Kristján Páll Kristjánsson and Árni Guðjónsson. This is definitely a band that shall be sticking around.
"Little Talks" was written by Nanna Bryndís Hilmarsdóttir and Ragnar þórhallsson. The song is their highest UK charting position to date at 12, and it is quite catchy, once again not my sort of thing, but it is very current. I can see this band becoming more and more successful!
The music video is definitely out of this world, not something I was expecting but it wasn't surprising and I think that was to do with the name of the band. You just can't help but think monsters will be involved in their videos and guess that was why I wasn't too shocked.
As you all well know I'm not a fan of black and white films or videos, and I rarely think it's a good idea. However in this case it is to make Nanna stand out as she is colourful and is like the guardian angel of the sky-sailors. I also like how she manages to change things into colour.
I like the narrative it's like a complete journey and kind of reminds me of Snow White and the Seven Dwarfs as the sky-sailors look like they're on a mission, plus their singing a song as the march. I also like how they always run into trouble, but manages to return the guardian angel to her home.
I thought the ending seemed unfocused. The ending looked like another monster was going to attack them, and maybe that is what happens afterwards and maybe the angel is actually not an angel in the first place. Personally I think the ending should've twisted what we knew and developed the story more.
Overall a great song that gets catchy the more I hear it. The accompanying music video is theatrically great and I have no problems against it since it stands out from the crowd and I've seen nothing like it ever before, and although it is repetitive, I'm prepared to let it slide and give this video top marks, since it clearly deserves it.
M83 are a five-piece band who has had international success with this song, however since then they have only had a few various charting singles, will this be the last we hear of them? The band consists of Anthony Gonzalez, Jordan Lawlor, Morgan Kibby, Loïc Maurin and Ian Young. They have released a number of albums and singles, but only few has charted and very little has reached across the seas to us in the UK. But this is a band that will start doing well soon. It's this sort of music people go looking for and this sort of music that is very current, it wouldn't surprised me if they have another spout of stardom in the next year or so.
"Midnight City" was written by Anthony Gonzalez, Yann Gonzalez, Morgan Kibby and Justin Meldal-Johnsen. I've heard it a few times before and it has been featured in a number of TV episodes and films, it's hard not to recognise the song, but it's also one that doesn't interest me, something I wouldn't normally go out of my way to listen to, however everyone has different music tastes and some people would like this whereas others won't. And that is the same with all music across the board. The song charted at number 34 in the UK, their previous singles "Run Into Flowers", "Don't Save Us From The Flames" and "Teen Angst" all managed to chart too at 199, 86 and 86 respectfully.
This music video is unusually different. It has elements to it that would never be found elsewhere. It also seems like there isn't much to this and yet it still manages to convey a strong narrative.
The video shows children who have gained telekinetic powers and they escape from a boarding school and manage to test their powers in an abandoned warehouse. Their eyes really capture me and reminds me of The Host, a book by Stephenie Meyer and soon to become a film released next month. It's like they get an inner strength and discover something new.
The ending scene is powerful but also slow moving and it is unable to end properly leaving us all to wonder what is next for these children. But all is forgiven in the follow-up single as "Reunion" has a follow-up music video that continues the story.
Overall a song that is very current and will be around for a while and it shall be used a lot more on TV and in film for the next few years, this is one song that refuses to disappear. The music video accompanies the song perfectly and manages to grab the audience as intended. Although the song is not to my taste and the video is definitely missing something, I have no choice but to give it this rating as it is a very powerful music video.
Sam Callahan first sparked my attention by appearing in a magazine. Since then I can't stop thinking about him, so I looked up his music on iTunes and on a whim bought this single, and what a lucky find I have found, an 18 year old and he can sing like that..... What is this world coming to? His voice is angelic and amazing, and one of those voices I could listen to again and again and never ever get bored.
"Runaway Train" is not the only track on the single I bought from iTunes, but it's definitely his own song, whereas the others are covers of Calvin Harris Featuring Example's "We'll Be Coming Back" and Taylor Swift's "We Are Never Ever Getting Back Together". Both covers are amazing with the former being one of the best versions of that song I have ever heard. This is one artist you do not want to miss, and I'm sure he is going to be on everyone's lips soon enough (and I don't mean that in a literal sense, I hope not anyway as there would be a lot of jealousy in the world if that did happen). He has recently became my Artist Of The Month in February. Watch out guys, he's on his way.
This music video is low-budget, which is to be expected since it is his first music video, and there is a lot of imagery in this that goes perfectly with the song. I especially like seeing the trains in the background.
There is a performance piece and a narrative, always a good starting point in music videos, so this puts him in my good books, and there is not much going on making it easy to follow, although you can't help but be distracted by his pretty face.
There's a few niggling things that has dropped my rating. From a technical point of view, there is way to many close-ups and mid-shots, we never see his entire body, and what he is wearing, focusing mainly on his face, sometimes too close. The long shots are quick and flits as if they weren't really there. Another point is the studio performance piece, this could've been in front of a crowd full of screaming girls, I think it would've captured us in more and seen the sort of energy he would give to a stage. Again the narrative could've been developed that little bit more, maybe him jumping off the train at the start and then him strumming about on the grass with his guitar.
But those are minor details that are missing, and I'm throwing ideas about this video, because I want Sam Callahan to become the mega star he clearly deserves to be, and I'm sure he will be. Watch out 2013, it's the year of Sam Callahan and many other artists so it seems.
Overall a great song I could listen to again and again. And an accompanying music video that may need a few touch ups here and there, but it's captivating and imaginable, that it makes you want to watch again, and not just because of his amazing voice. This is the sort of video I like, and hence for the rating. Please bare in mind this is a low-budgeted music video and so my rating would've differed if this wasn't the case.
MGMT is a band I've never been interested in, and a band I never thought would appear on my blog. But here they are thanks to one of my flatmates suggesting me to review this video.
MGMT are 5 piece band from America, consisting of Andrew VanWyngarden, Ben Goldwasser, Will Berman, Matt Asti and James Richardson. They aren't quite a successful charting band, with this song being their highest charting single at number 16 in the UK, and it's a similar story with America. On the other hand, their albums have charted high, this is definitely one of those bands that will forever be on the rocks, not quite sinking into the water, but not flying high either.
"Kids" was written by Andrew VanWyngarden and Ben Goldwasser. This is usually what makes a brilliant song because the artist believes every single word they are singing, and you can definitely see that in the music video along with the voice in the song. But it's just not my sort of thing. I usually take a dislike to some songs, and I will never turn around and say I like it, never ever. Although I tend to end up singing a long to it by accident, so it shows this is just as catchy as the next song I take a dislike to.
This music video has confused me. My flatmate told me it was a great music video, and I agree to some aspect, but it's quite scary and then towards the end the video changes so dramatically it makes me think they may have ran out of money? It's like they've put two similar but different music videos together.
So there's two parts to this video, the live-action side which has a narrative with an extra performance scene, and then there's the animation side of things. I shouldn't split this video up, but that is what I'm going to do because it is split (although the music never splits so still don't quite understand).
The live-action side really gripped me, I was involved. I managed to get past the bad acting of the monsters, and managed to focus on how scared the boy looked. I can totally understand why critics went at this band, because the boy does look genuinely scared, but a behind the scenes video has proven it not to be the case. The monsters are scary and the only calm bit is MGMT dressed as a futuristic band, which fits perfectly with the song as it is quite futuristic.
Then for no reason whatsoever we turn to complete animation, where unrecognisable, unthinkable and shocking things happen that you wouldn't imagine would work, and we are completely right, it doesn't. What I really wanted was an ending that made me want to watch it again, but there was no such thing, leaving me unhappy and questionable about the switch to animation.
Overall a song that will inevitably be catchy although I am going to carry on disliking it. A music video that starts well and grips me making me think this is going to be a 5 star music video, but it soon changes with the animation and it just doesn't fit or work at all. So I'm indecisive with this rating, so I'm going straight through the middle today.