David Guetta is now a really big, well-known DJ, and this is one of his early works. A lot of people prefer him doing this sort of thing, however this song reminds me of "Getting Over You", I think it has a similar musical background, or I could be totally wrong. But what I'm saying is that David Guetta is getting better, but he's still in touch with his older music, which everyone still loves. The Egg on the other hand is a British electro/dance music band consisting of Ned Scott, Maff Scott, Ben Cullum and Matt White. This is their highest charting position, and since 2007 no new singles have been released...
"Love Don't Let Me Go (Walking Away)" is an amazing song, it has vocals by Chris Willis, and after much comparison with "Getting Over You" I have come to the conclusion that, yes they are extremely similar. I like looking at the writing credits (there is a lot of them) so here goes... David Guetta, Ned Scott, Benji Vaughan, Chris Willis, Jean-Charles Carré, Joachim Garraud, Maff Scott and Matt White. The song was also used for the Citroën C4 advert.
The music video is technically really good, and it's pretty much narrative, but in an interpretable dance kind of way, that really makes everything work out fine. I love the use of The Energy being passed from one person to another, although, there are a few flaws. The dancing used is breakdancing and Parkour (also known as PK).
I like how it all starts, with the connection of two people, The Energy then gets passed between people, and once it's passed the person who had it before stops dancing all together, however there's one flaw found near the end when they give The Energy back to the original starters, the topless person who had it before keeps dancing (as far as I'm aware of). Also at the start where the originals pass on The Energy to the person who had a basketball, what happened to The Energy in the original girl?
Anyway, analysing over... I think it's clever, and it sort of makes me jealous, I want to be able to do that stuff. Pass The Energy my way please. I also like the fact that the car in the Citroën advert also breakdances, I reckon they pulled ideas from this music video for their advert.
That's really is it to this music video, I could watch it again and again, but I reckon it would get tedious. I don't think it's fantastic and wouldn't go out of my way to watch it, but it's technically good, so that is why my rating is so high.
Anjulie is a Canadian recording artist, and I've only just heard of her. Her name is the stage name of Anjulie Persaud, and I was quite surprised it's her actual name. I don't know how many times she has attempted to become an international star, this video (along with "Boom"), has been in the UK and Europe for a while but she has yet to hit the charts, but this type of music is in at the moment, so she has a big chance at this current time of year. Her writing credits are surprising, since she has worked with quite a few people, I'd like to say watch out for this girl, but I'm questioning whether she'll be popular here. At the end of the day she needs to be promoting her singles, or they'll get nowhere.
This song "Brand New Bitch" is not played on the music channels, instead it's the clean version "Brand New Chick", that rhymes so much better, however I couldn't find the clean version on YouTube, so we'll have to deal with this one. It sounds a lot like David Guetta Featuring Nicki Minaj's "Turn Me On", and if anyone decided to mix them together, I could see them fitting nicely.
The music video is also pretty similar to "Turn Me On", with the table that she's on and the use of the doll with it's head off. It's quite interesting how they match up. Personally I don't see much connection to this song, although the dancing is a bit raunchy which links in with the raunchy song, but that's really it, and the bit in the bridge, presuming he's the guy who left.
I really don't have a lot to say about this music video, it's below average, there could have been a perfect narrative, but whether budget made it not so good... I don't know. I have to admit I think she resembles Anjli Mohindra, and I really thought it was her when I saw it this morning, don't you agree?
This music video could have been good, but it's lacking an easy-to-follow storyline, whether that's to do with the budget, or the editing, or the camera shots... I don't know. The song is definitely the sort of song that's making the charts at the moment, and due to not promoting the song here in the UK, she failed to make the chart. If there was promoting going on she would have gained high charting position.
Finally this song has been released this week, here in the UK. I've been waiting for it for ages, and it's already climbing up the charts after just one day, I so hope it gets the charting position it clearly deserves, it is going to be Demi's biggest UK hit. Now all I'm waiting for is JoJo's "Disaster" (which has made UK music channels) and all will be good.
Demi Lovato first heightened my interest when I watched Camp Rock, and since then she's embarked on both a music and film career, I have been a fan of hers since then, and I have to admit, this song seems so personal to her that you know she means every single word. She has been in rehab lately, and has just become well enough to continue with her career. She has decided to take it easy, and so therefore has decided to focus solely on her musical career until she feels ready to branch out into film again. Her personal battles is probably what connected this song to her and that's why it's amazing to listen to, you can definitely feel her hurt.
The song was written by Toby Gad, Kerli Kõiv and Lindy Robbins. Toby and Lindy are pretty well known songwriters with a lot of credits behind them. Kerli is a Estonian artist and is trying to become international, and doing a pretty good job of it so far. What surprised me is that Demi Lovato hadn't had any input with the lyrics, however she obviously gained a strong emotional link with the song as I doubt many other artists can pull off the passion in which Demi Lovato does with this song.
The music video is stripped back, but oh so emotionally raw, every time I watch it I get goosebumps as you can tell she means every single word she's singing. Apparently the recording was before she went to rehab, and when she recorded it, it meant so much to her that she felt personally connected, and after rehab, she rerecorded it and it didn't feel as empowering, so they kept the original. Jordin Sparks provides backing vocals (apparently, it's possible she originally recorded it but it didn't make the final cut, luckily). Demi Lovato was perfect for this song.
The video takes place in the middle of Bonneville Salt Flats desert, in Utah, US. it's the perfect place for her, and I really like the heart shape in the box that gets smashed and the walking on glass and the black fabric. The sun suggests she's seen the light at the end of the tunnel and it's right there with her, so it's just perfect.
This song and it's music video shows how strong of an artist she has become and you can tell she's over all her problems, and she's ready to be that last skyscraper in the apocalypse. She is over her problems now and we can all see that, and I just have this feeling she is going to be stronger than she ever has.
The song and the music video is extremely emotional. It's rare for me to come across a song so emotional, there are only a few that makes me feel this way, none of those have released the song as a single, let alone done a music video for it, and I think this is why this one is very special. I know not a lot of people will agree with this rating, and I totally understand their reasons, but for me, this is a magical music video, I never thought I'd give this rating to a performance-based music video but this clearly deserves it.
Madonna is such a big star, it's unbelievable how long she has been going of, and I cannot believe I actually haven't reviewed any of her music videos yet, but I think the reason may just be that YouTube have restricted embedding Madonna videos and so that may have been the main reason. I like how she is always in the now, and perfect for music, she updates her image and keeps up with what's charting, it makes sense why she is such a great artist. Not only that but this single is her latest number one, all the way back in 2008, 4 years from the top spot, will she do it again? Or forever be trying to with the likes of Britney and Avril. She has collaborated with Britney in the past and so many others, in this song and music video she collaborates with Britney's ex Justin Timberlake, who first found fame in *NSYNC, but is now a major actor as well as singer and dancer. Timbaland (also known as Tim Mosley) also contributes his vocals.
This song is about saving the world, according to Madonna. Apparently it's about winding down the CO2 emissions and everything else that is affecting the world. It was written by Madonna, Tim Mosley, Justin Timberlake and Nate Hills. The one thing that makes me laugh is that the song is actually 4 minutes 6 seconds, so actually you have an added 6 seconds to save the world.
This music video is really good and clever, and it's possible that it helped to get the song to number one here in the UK, as the music channels were showing this video a lot. I really like the 4 minutes behind them as it's counting down, although I would think it would have been better if you could see that all the time (like in the corner or something).
The video links in with the song, as the cars are not moving and everything that would cause pollution is getting gobbled up. I also like the choreography, I like the fact that Justin and Madonna mirror each other at times, and this really shows how good they are at dancing. I also like the fact that people have commented on the video by saying something along the lines of: You have 4 minutes and 6 seconds to save the world, and all you do is dance?
There really aren't a lot of things going on in this video. So there's not a lot I can comment on. I think it's clever and a catchy song, I like how well the video goes with the song, but there's just not a lot going on. I like how one commenter said: "We should put this song 4 minutes before the end of 2012", now I doubt the world will end before 2013 starts, or as it starts, but I do like the fact that it fits in nicely.
Eric Prydz is a Swedish DJ, I only just found that out today, and it adds to the amount of dance music coming from Sweden at the moment, they're definitely ones to watch along with Romania. He has released 4 singles thus far, all of which have charted on the UK top 75 chart. However no sight of an album so far. Apparently it was ready for a 2007 release but complications with the record label pushed it back, and it was eventually cancelled. According to multiple social networking sites, it's ready to be released as of 2009... But will it? We'll have to wait and see.
This song is pure music, it's so catchy that it kind of surprises me that I'm actually into it, especially since there is no lyrics and so there's not a lot I can talk about. However in these sorts of songs (much like Avicii's "Levels") it allows any sort of music video, which usually is what makes them the best. As expected Eric Prydz was the one to write the song.
This music video is really good, it links in with the song pretty well, and is just as catchy as the song, I could easily watch it over and over again (if I haven't done so already). Although some of the images such as the skull of the moose (is it a moose?) doesn't make any sense at all. Whether they are calling the robber a moose? A thick-headed one? Since a skull doesn't have a brain... I just don't know, but it has to relate to the robber at the end of the day.
The narrative is amazing, I like it and understand it whereas others have said that they don't. Basically a robbery has taken place and he's ran off with the money, using the train as a means of escape, and then getting off. He needs water to stay alive and he is extremely thirsty. So he finds an old barn, that used to be a bar, but there's no water and nothing in the bottles behind the bar either.
Then the piano starts playing at it's own accord and the robber gets a freight. Then he realises no one's there, except for a small man doing a dance to the music, and then directs the dance to a girl on the other side of the room, who then decides to dance. It is edited well, and we could call this dance a rain dance.
Water starts streaming out the tap, and the robber gets a much needed refreshment, while we see pictures of the moose's skull and the rain dance people dancing in potential rain storm (that's all hypothetical, really). And then the robber runs off again with the money in tow. Personally I would have grabbed one of the empty bottles behind the bar and top it up with water to keep you going, otherwise he's going to become parched again...
My favourite bit is definitely the end where you see the girl shuffles up to the rain dance guy, suggests that they're just friends but thanks to the rain dance, it could be more?
Love this music video, as per usual with pure music-music videos I haven't got a bad thing to say about this. It's clever, witty and got the most perfect storyline. My only concern is to moose skull, but maybe I have worked out it's meaning. I hope Eric Prydz release more in the future, it's definitely the time for DJs to shine again.
