Once again Drake is at the top of the charts with "One Dance" which still has no official music video, come on Drake what are you playing at? So the UK top 10's music videos are available for me to review this week. I picked this song because I've been ignoring it for a while because of the stunning hit the song is. Clean Bandit makes a solid return with the most recent X Factor winner Louisa Johnson in this incredibly visual music video.
Clean Bandit are an instrumental pop band consisting of Jack Patterson, Luke Patterson, Grace Chatto and Neil Amin-Smith, They have had various hits especially with Jess Glynne on tracks "Rather Be" and "Real Love". They are always hitting the charts hard because no other band is doing what they are doing, it's innovative and all-so clever. They have made a massive mark on the music industry and they are not going anywhere. The featured singer if Louisa Johnson, who won the 12th series of The X Factor, which was the most recent series. She was one of the stars from the get-go, and her vocal talents are unbelievable, and this track doesn't show them off fully, yet adds to her versatility. Many have said it sounds like a Eurovision song, both as a winning song and as a catchy unnoticed song. I vote Clean Bandit as the next UK Eurovision representative! The song was written by Sam Romans and Jack Patterson.
Directed by Jack Patterson, yes that's right Clean Bandit's own Jack Patterson, this video is completely stunning with amazing visual effects and scenes that definitely captures the intensity of the song. It also features Hedwig, the snowy owl from Harry Potter, apparently.
This video has it all, flamethrowers, Hedwig, rain, water, smoke, dancing, singing, instruments and fire. What more can you want? Literally Jack Patterson threw it all in, and it really worked.
A stunning music video to match Louisa Johnson's stunning vocals. The choreography is in time with the music, and performed professionally. The band and the vocalist perform emotionally, who wouldn't want to see these people live? Even without all the effects going on around them, their energy is the electricity that fuels this entire thing.
There's a lot going on but little more I can comment on. Overall it's in-depth intensity with a visual concept that works fluidly with the song. They have literally captured the music and turned it into a conceptual art piece.
Big Brovaz will be performing at a club near me (they already have done, I've just changed the date on this blog post), and they are bound to sing this song! OK is probably one of their least known and least catchy songs from their first album, but I totally understand why it was released as it shows them off more as a group. The music video coincides perfectly with it. We all want a Big Brovaz musical, and this is what this video does, puts on a Big Brovaz musical, and boy do we love it.
Big Brovaz were a six-piece group consisting of Cherise Roberts, Nadia Shepherd, Dion Howell, Randy Jackson, John Paul Horsley (J-Rock) and Tayo Aisida (Flawless). They later carried on as a four-piece and attempted to represent the UK at Eurovision. They split up in 2007, and Nadia Shepherd and Cherise Roberts became Booty Luv, who had a string of hits. Nowadays they reform for mini concerts and gigs, but they have no new material, as far as I know. I hope they have something coming soon, because the music industry need this group in the world. For now we'll have to deal with their old music, which can still be considered current. This song was written byMichael Mugisha, John Paul Horsley, Michael Brown, Cherise Roberts, Nadia Shepherd, Abdul Bello, Thelma Howell, Temi Tayo Aisda. This music video is mainly a performance piece as Big Brovaz perform on a stage. Turning the entire song into a quick musical making us all wish we could buy tickets to see this said theatre production. All six group members perform with their usual energetic vibes, taking us back to "Nu Flow", except this is on stage, with a great reaction from the crowd. Interesting and engaging, this group never fails, with perfect dancing choreography, in sync with the professionals, they pull this off easily. Overall, a great music video, that we hope suggests a future musical down the line, this is what we want. Well, we want the group to fully reform and release new music, but a theatre production is something we could all settle at... Yet that also seems just as unlikely, but we can keep hoping and dreaming!
Imani Williams dropped her debut track a few weeks ago, which she later followed up with this awesome music video, that I can't stop playing. Having already published articles for Outlet Magazine, as well as CelebMix, as well as an article about the video, I feel like I haven't got much else to say about this video, let alone this song, however I am still loving it, this song will never get old. Especially with Imani Williams' outstanding vocals. Imani Williams don't need no money when she's got us as her fans, with full dance choreography and perfect performance vibes, this girl is going to go far!
Imani Williams is just 16, can you believe how young she is? She first came on to the music scene, with the help of Sigala on the awesome track "Say You Do", now she's released her own single, this one features Sigala and Blonde. Her vocals are on point on this track and the song is fire! We'll definitely be hearing more from Imani Williams, for sure! Sigala, real name Bruce Fielder, has had many hits, and pretty much launched Imani Williams' career. Having already had many chart hits, Sigala's future looks bright. And so does the other feature, Blonde, a producing duo consisting of Jacob Manson and Adam Englefield. They have had global hit after global hit. They've worked with the stars and the rising stars, and they will definitely continue hitting the charts hard. This song was written by Bruce Fielder, Patrizia Helander, Jacob Manson and Hampus Lindvall. It is currently stuck in my head once again.
Directed by Carly Cussen, the video is definitely high quality, with Imani Williams looking fresh!
With a full choreography, that is performed to perfection along with amazing technique, Imani Williams has the spotlight on her, and boy does she work it!
The choreography relates effortlessly with the song, whilst Imani Williams sends out performance vibes sure to make you want to see her live.
The visual scenes where it's just her, is stylish and sexy. I love the denim jacket she is wearing, and she totally suits it much better than I ever would.
The last scene is a shock, how the hell they managed to control her hair into a plait is unbelievable and proves that Imani Williams has an amazing style team behind her.
Overall what else can I say about this video, I've literally exhausted every comment I can make amongst all the published articles on Outlet and CelebMix. But Imani Williams is worth it, she deserves promotion and she deserves recognition, because a vocal like that going unheard in the world will mean the end of good vocalists in the music industry. Imani Williams is FIRE in every way, and I cannot wait for more new music, for now I'll just keep this and "Say You Do" on repeat.
Jahméne is back! With this new fire track that compliments his soulful voice perfectly. However with little promotion, and radio not really picking this up, he doesn't really stand a chance of charting next Friday. This X Factor runner-up has such a perfect voice, but it seems he's holding back on this track and the performance side of the video. Jahméne performs statically in this video for "Is This The Time", whilst the narrative excites and entertains by pausing a snapshot of life.
Let's be honest Jahméne Douglas should've won The X Factor series nine, and his vocals on this track just proves how much he deserves to do well in the music industry, yet his style and songs seem stuck in the past. This is not a current track, it's something that would've been released in the 90's or early 00's where this genre was popular. This is his first single from his upcoming second album, his first album hit number one on the UK albums chart, yet the singles from that album didn't fair well, with only his debut single charting titled "Titanium", a cover version of David Guetta & Sia's song "Titanium".
Directed by Mike Baldwin, the video has both a performance side and a narrative, as I mentioned earlier.
You would think his time on The X Factor would've boosted Jahméne's on-stage presence, and yet he is standing there like a statue. He has a slight confidence which he exposes during the big notes, but he goes back into his shy little self during the chorus and other parts of the verses. This is not what I'd like to see on stage. He needs to send out those all important performance vibes, but he doesn't seem to have any.
The narrative is detailed, taking a moment on the escalators where a man and woman cross paths, and there's an instant connection between the two. The escalators stop and he walks down them. A daydream state ensues where we watch his unsurety of whether to go after her, is it the right time or not?
I think it's clever, we've all passed a total stranger and considered them to be our future lover or a little bit of fun, but are they worth humiliation of rejection for? Confidence has always been a good thing in my book, and if you don't live for the moment, it'll never be the right time.
Personally, I think we pass many people who could potentially be 'The One', you just have to take the risk and find out. This music video, however, does the complete opposite, encouraging people to carry on with their lives, and the right person will finally come along. Yet if we all did that, then it means they'll never come along, because someone needs the confidence to take the first step.
Overall, this video is a high quality visual, yet it fails to entertain, questions whether confidence is good or not, and totally makes Jahméne static. Although the basic idea behind this video sounds good, it just fails in the visual aspect of things.
Not long until Big Brovaz, along with S Club and Booty Luv, will perform at The Nightingale Club in Birmingham, which I am totally excited for. This song is their biggest hit to date, and although I believe they could make a brilliant comeback if they tried, since this style of music is totally missing from the charts, especially since they were the gap in the music industry, and they totally still are; I doubt they will be reforming officially. So we are left to relive the good old days with their amazing singles! Big Brovaz ride a carousel as they describe their favourite things, what they want from a guy, and don't we all want expensive things?
Big Brovaz were a six piece band that consisted of Cherise Roberts, Nadia Shepherd, Dion Howell, John Paul Horsley (J-Rock), Tayo Aisida (Flawless) and Randy Jackson. They had various hits, but this is the one song that hit number two, just missing out on the top spot. The song is based upon the musical song "My Favourite Things" from The Sound of Music. In the original, Julie Andrews sings about simple things, whereas this one focuses on glamorous and expensive things, that the girls want. The song was written by Richard Rodgers, Oscar Hammerstein II, Cherise Roberts, Nadia Shepherd, John Paul Horsley, Dion Howell and Randy Jackson.
The music video has a Victorian freakshow vibe to it, that doesn't really fit with the whole song, unless you part relate it to the fact that back then guys had to court girls, and they had to buy them expensive things, to take them out etc.
They don't do much, apart from dance, ride the carousel and they have a slight performance piece.
I am unsure of the meaning behind the masks, but they definitely freak me out.
I would love a guy to court me, to buy me expensive things. Maybe I'm expecting too much nowadays. This music video is engaging and interesting, yet it's quite weird and scary. It fails to exactly relate, they could've worked with something so much better, and there's not a lot going on. This song was fire, but the video doesn't live up to it. Compared to "Nu Flow", this falls completely, and even though it was their biggest chart hit, it might have started their downfall.
