We're all chained to the rhythm. Katy Perry is back with this brilliant, dark and raw song that utilises what we all are, in a powerful catchy way. Katy Perry is hitting out these great songs, but they're not instantly catchy like her previous songs were, which probably explains why they're not performing as well. This one has started doing better than "Rise" for many different reasons, but her performance at The Brit Awards and The GRAMMY Awards definitely ignited more downloads and streams. Watch Katy Perry have fun at a futuristic theme park with Skip Marley in the "Chained To The Rhythm" music video.
Katy Perry, real name Katheryn Hudson, has really established herself as one of the main female artists in the world, Forgetting all the shade towards plenty of other well-known singers, she is definitely one who is bringing unstoppable hits and brilliant music videos. Many of her songs are hits and it's surprising she hasn't released a greatest hits album yet, although I'm sure there's one on the cards in the near future. This song is about how we're all attached to social media, how we all comment the same thing about something, and how we're all chained to the rhythm. It's a powerful message, hidden in a very catchy song. It was written by Katy Perry, Max Martin, Sia Furler, Ali Payami, and Skip Marley.
Directed by Matthew Cullen, the music video is set in a futuristic theme park called Oblivia. There are various theme rides at this theme park, including a rollercoaster that has a gap in the tracks, I so want to go on it. There are springing houses, which intrigues me. There's a rocket roller coaster where the cars shoot off into the sky and then fall down. Don't ask me what the weird seat ride is, but it looks like fun. Then there's the hamster wheel.
I totally don't get the hamster wheel, like I want to give it a go, see if I can beat it, but I don't think it would be fun. I think Katy Perry is trying to make us see that we're all hamsters, running around in a wheel, sometimes we fall, sometimes we can't keep up, sometimes we conquer it, but regardless, we're still running around not going anywhere. It's a very in-depth theory that still doesn't make sense to me, but that's what I make of it.
Skip Marley, who is the son of Cedella Marley, and the maternal grandson of Bob Marley, brings some reggae to Katy Perry's track. He comes out of the TV during the outdoor cinema scene, where everyone is dancing the same dance to his part of the song. He brings some fresh performance vibes that really showcases him as an artist, whether he'll have a subsequent hit, is a different story; but this song has actually given him a much-needed spotlight, so we'll be watching to see what he releases next.
Overall, this is a theme park I want to go to! Although, some rides seem way too dangerous, but I think we should presume they passed all the safety checks so they're all good. It looks like a lot of fun, although the petrol station scene doesn't make much sense to me; to be fair, a lot of this music video doesn't make sense, and yet works in a weird and strange way.
I truly believe Era Istrefi is the next big thing. She became popular after "BonBon" dominated the world, but not the charts, and now she's back with a brand new soft dance song that is embedded in my head. It's so good and yet not as clubby as I was expecting. However, I can see the DJs going mad with this and bringing some killer remixes to the table. Era Istefi brings performance vibes like no other, whilst looking extremely sexy in this music video for "Redrum" which features Felix Snow.
Era Istrefi is totally one of these artists that you should be keeping an eye on. From Kosovo, she's absolutely stunning, and she is totally launching her musical career and bringing it. "BonBon" totally gave her worldwide fame, now she just needs to hold on to that and keep going. This follow-up track is a definite step in the right direction, showing her off perfectly as an artist. This song is what I would call soft dance music, you expect something more, but in this subtle form, it works perfectly. I hope some brilliant remixes are on their way with this track. The song has just been released, and I hope it becomes a successful follow-up single. Felix Snow features on the track, he's a DJ and CEO of EFFESS.
Directed by Millicent Hailes, the music video is a full performance visual, with Era Istrefi looking gorgeous throughout and giving it her all.
There's not an awful lot going on, there's a car doing donuts around her, sending out red smoke; there's a mirror where her beauty is reflected; there's red ink dripping off her body, which I suppose to represent blood; and then there's Era Istrefi performing the song.
As a whole, it's a great visual, something interesting to watch and keep the audience entertained, but at the same time, it doesn't give anything new to the viewers. It's a great song, that should do well globally, even though it probably won't get the attention it deserves; but, once again, the music video doesn't bring anything new; however, it's visually interesting.
WARNING: Flashing Images! Thursday revisit time was stressing me out today, as I thought I found it difficult to find a music video that was older than 5 years from one of the artists I had reviewed this week; but, luck was on my side when I came across this one from the Dream Beats. This was the DJ project's first single, in collaboration with Swedish popular but cheesy group, Alcazar. This song surely doesn't disappoint. Alcazar performs with their usual pizazz in this music video for Dream Beats' "Feel 4 U", which also includes a model strutting around her apartment.
Dream Beats is a DJ project from Sweden, formed by Anders Hansson. They first came to my attention when they collaborated with Molly on "Beneath The Lights", such a great song. Then, most recently, I came across Christie & The Dream Beats, with the catchy song "Wasn't My Fault". So, it's nice to visit their debut music video and single, which was with Alcazar. They previously worked together on Alcazar's Melodifestivalen 2009 single "Stay The Night", the song finished fifth overall and the group once again failed to represent Sweden at Eurovision. Alcazar consists of three members who are Andreas Lundstedt, Therese Merkel, and Lina Hedlund. They're the epitome of europop/eurodance, the sort of cheesy pop you expect to get from Europe, and it's worked solidly in their favour for many years. How many groups can say that they've been going for almost 20 years? They've had three international hit singles which are "Crying at the Discoteque", "Sexual Guarantee", and "This Is the World We Live In". They're still going today, although I doubt another international hit is on the horizon, although we never can tell. The song was written by Anders Hansson.
This music video is just difficult to understand and quite testing on anyone who watches it. There's a lot of flashing imagery.
Alcazar performs with their usual energetic vibes. This is exactly what I was expecting from this group. Their performance visual is definitely appealing and that is something you can expect from them at their shows.
There is a narrative of a woman, who isn't wearing many clothes. I honestly don't know what to make of this. I feel like she's broken as if she's been dumped by a guy or something. There's definitely something upsetting her, and that's the only thing that comes to mind, regarding the song. Some might find it sexy to watch, but I don't see what it adds to the music video.
Overall, intricately different, and I was quite expecting some really low-budget music video, so this totally surprised me. It's not the best, granted; but Alcazar brings it like they usually do and that is definitely what makes this music video work.
A bit of an old song, but my iTunes chose this for me, and it's a very catchy song, just wish it had charted and brought Tiffany Gayle some success, as after researching her, this was the only song she released... Technically, if it had been a hit, she would've been a one-hit wonder since she didn't release anything else afterwards; saying that, if it had done well in the charts she'd have had another single released. This is still catchy to this day, and I actually want to dance to it in the clubs I go to... Definitely my next request. Tiffany Gayle asks you to dance with her in the clubs, looking sexy inside but keeping warm outside by layering up and donning some sunglasses in this music video for "Do You Wanna Dance".
Tiffany Gayle was on All Around The World Records, sharing the label with Flip & Fill, Cascada, Kate Ryan, and Danii Minogue. Little is known about her except that she is from Belgium and can speak various languages, at the time she was fluent in three whilst learning more; who knows how many she can speak now. It's a shame her voice has disappeared, but it would be good to see her return to music, even if it were just to display what she can do now. This song didn't chart, despite its various releases around the world.
The music video is really simple, playing on the strength of the opening lyric about being in a club, that is where the video is set. A great and relatable setting.
What's shocking is that we all thought it was on-trend to wear sunglasses and look like she does outside, back in 2008. Although she nails the club look inside, whoever turned her down to dance was totally making a mistake.
This song is the sort of song to get everyone up and dance, to be fair this is the sort of thing I do. I'm usually the first on the dancefloor and the last one to get off. I'm usually great at getting everyone onto the dancefloor, which is exactly what this song is about, hence why I loved it as soon as my iTunes randomly played it. It's just a shame I didn't know about the song until today.
What's more, there is a choreography part, where Tiffany Gayle dances in the street with some backing dancers. What I actually can't believe is that the slut drop is included, and she fully nailed it too. You go girl! She pulls it off perfectly, even if the choreography isn't amazing, it will do.
Overall, it's a great, packaged music video; totally relatable to the song and adds everything we could want. It is slightly low-budget, and not all that appealing. There's not an awful lot going on, and more of a narrative would've made it much better. Regardless, this is something I would watch again and again because this song is a tune and the video could be a hell of a lot worse, but it's not.
I had this song stuck in my head last night due to the fact that I was thinking about my last night out, which was Friday, and I remember dancing away on the small stage to this amazingly catchy song, not having a clue who sung it. I googled it last night and to my amazement, it's Meghan Trainor. This is the music video that she took down due to photoshopped results; one I didn't watch because it never became a hit. How? I have no idea. Watch Meghan Trainor work it in her music video for "Me Too" because, of course, we all want to be her.
Meghan Trainor kickstarted her career when she debuted with "All About That Bass" which was a complete international sensation; her follow-up singles and debut album followed suit and she quickly became one of the top female singers; now it's slowly going downhill. This may be due to the lack of promotion of her latest singles; although her album did do well globally. This song was written by Meghan Trainor, Eric Frederic, Jacob Kasher Hindlin, Jason Desrouleaux (Jason Derülo), and Peter Svensson.
Directed by Hannah Lux Davis, this is mainly a performance-based music video with a lifestyle narrative infused within. The music video gained controversy when it was first released as an unapproved video was released before quickly being taken down and a new one uploaded the day after. The reason behind this was an image manipulation that made Meghan Trainor's waist much slimmer than what it is. So kudos to her deleting the video and putting the unedited video up since she is encouraging the world to be confident with who they are.
The music video totally represents the confident life, we all have it now and again, we just need to have it inside of us all the time. Meghan Trainor is fierce throughout, from strutting around when she wakes up in the morning to totally pulling off that unappealing giraffe onesie.
To look good, you have to have the confidence to wear whatever you want to wear. People work the clothes they wear because they strut their stuff in it, even if it doesn't suit whatsoever.
She arrives on set and tries on various costumes before deciding on the blue sequin dress. She then goes all out in a choreography number with backing dancers. Totally nailing her performance throughout. If anything, Meghan Trainor is someone we all need to see live. She totally brings it for this music video, I would've just liked a little bit more of a relatable narrative, though.
