I've been avoiding reviewing this for weeks during Chart Mondays, purely because I knew it would be in the Top 10 for some time, and there was bound to be a week where I don't have much choice left. This was the week where Christmas songs dominated the charts, as they do every year. Unfortunately, I had already reviewed all the Christmas song music videos in the Top Ten, so it leaves this one and Rita Ora's "Anywhere" for me to review, but since this is a backdated review, I know for a fact that this one drops out before Rita Ora's song does, so I might as well do this one now. After my first watch, I'm wishing I was reviewing Rita Ora, not going to lie. Watch Big Shaq in Miami performing to the camera and including comedic scenes that relate to his viral track and biggest hit to date "Man's Not Hot".
Big Shaq is a comedic character who is played by English comedian rapper Michael Dapaah. He went viral with this song due to a meme after he appeared on BBC Radio 1Xtra's Charlie Sloth "Fire In The Booth" section where he played both his characters MC Quakez and Roadman Shaq. The previous character released a debut single titled "Balance". It was a freestyle on the instrumental of 67 and Giggs' 2016 track "Let's Lurk" which was first used on 86's "Lurk". It became a complete sensation, and he soon changed the character's name to Big Shaq and then released the song as a single. I very much doubt he'll manage to keep his success and continue having hits, but considering how Michael Dapaah maximised on this popularity, I have no doubt he can do it again. This song was written by Michael Dapaah.
Directed by Marv Brown, this music video starts off with a skit where Big Shaq receives a phone call from Asznee who turns out to be comedian and YouTuber Chunkz. As the video goes on we see various stars appear, including Waka Flocka Flame, Lil Yachty, Jim Jones, Broederliefde, and DJ Khaled, the latter of which calls Big Shaq a "legend".
Throughout, there are some relatable scenes, mainly with Big Shaq not taking his coat off, even when a girl asks him to take off his jacket, or even when he's in a sauna. We sure get that he really isn't hot.
Overall, there's not a lot that I want to comment on for this video. It's comedic to an extent, managing to relate some of the lyrics to the song itself. It's a quality music video with Big Shaq bringing some great energy to the visual, especially when it cuts to one of his gigs. I look forward to seeing if Michael Dapaah can bring another hit to charts around the world; I really believe he can.
Again, I'm letting my iTunes randomizer choose the music videos I should review. This song came up while I was playing my music on random, I have it as part of a compilation album, and I just had to see if there was a music video because this song is addicting in every way. So, that is how I came across this and it is full of fun and totally relates to the song. Watch Martin Solveig, The Cataracs, and Kyle perform as they set up lights and a paddling pool in this fun and cool music video for "Hey Now".
Martin Solveig, real name Martin Picandet, is one of the biggest DJs in the world, and one I am obsessed with after having the amazing opportunity to interview him for CelebMix. He continues to prove himself in the music industry, his music chart positions come in waves, most of the time it takes time for his songs to go viral and become popular, but as soon as they do, they become chart successes. This one had mild success. It features The Cataracs, who was down to one member at this time who was Niles Hollowell-Dhar, he is now known as KSHMR. As a duo, they scored many successes and song-writing hits; and now, as a soloist, he continues to make splashes in the music industry, which is great to see. The same goes for Kyle, full name Kyle Harvey, who totally went viral a few years later with "iSpy"; it truly shows if you work hard and never give up, you get there in the end! This song charted well in some countries, with it becoming a hit in Ireland at number eight. "Hey Now" was written by Kyle Harvey, Martin Solveig, and Niles Dhar.
This music video is pure fun in every single way, which is totally expected considering the overall joviality of the track. To my surprise, Martin Solveig sings this song. I'm so used to him using a vocalist to sing these songs that I so didn't expect to see him singing - that certainly shocked me from the very start.
The whole theme has a Bob Dylan's "Subterranean Homesick Blues" feel to it, only updated to the max - since that old music video was done way back in 1965. It's all about fun in the summer sunshine as they continue to spread the cheer and create words out of the set they have.
Once again, Martin Solveig proves that he's a DJ and not really a performer whatsoever since there's no energy behind his singing. However, he does try his best and he's much better at being himself and having fun. As for Kyle, on the other hand, he brings it with the energy and really gives the camera what is missing.
This totally works with the song, how this didn't become a hit in the UK or the US, I'll never know. We need more fun songs like this dominating charts all around the world. I also think "Kings Of The Playground" would've been a much better title for the song.
I was just listening to "Only You", and realised I haven't reviewed this music video yet; although to be fair, I'm not so keen on this song "Don't Let Me Be Yours". Why did she not release a music video for "Only You"? - Now, that one is a tune. This song was released before "Only You", it wasn't a success at all, compared to her previous songs. The music video is all right, but the scenes with Zara Larsson has all sorts of lighting problems. Watch Zara Larsson perform to the camera while scenes of a woman racing driver are intercut throughout in this music video for "Don't Let Me Be Yours".
Zara Larsson is the Swedish sensation that went international thanks to a collaboration with MNEK that really sent her global with her solo work. She launched well, especially in the UK where her follow-up singles all did well, and we finally got a debut solo album, although she did previously release a debut album which was restricted to certain countries. We haven't heard anything new from her for a bit of a while, so I'm presuming she's working on new music and is prepared to blow us all away once again. This song was written by Zara Larsson, Steve McCutcheon, Johnny McDaid, and Edward Christopher Sheeran (Ed Sheeran).
Directed by Daniel Kaufman, this music video deserved to have been better. It may have the essentials for a great music video with a performance piece and a narrative piece, but it just doesn't work overall. It does have a sense of girl power throughout though.
The narration starts the video off, as we watch a woman head towards a smashed up car in the junkyard. She finds what she needs and takes it back to her racing car so she can compete. At the end, she wins a trophy, which makes the whole thing worthwhile and proves that anything is possible if you fight for it.
I have a total problem with lighting in the music video during Zara Larsson's performance piece. It's clear the person behind the camera didn't take in the sun and the background lighting, causing some really bright shots that swallow Zara Larsson up in light - at times we can't see her at all. Regardless she still brings energy, which we expect. It's clear this song means a lot to her, yet it doesn't work out the way we had hoped.
Overall, this music video isn't memorable at all. It barely relates to the song, apart from the fact that our main character isn't bothered about looking her best, and instead focused on making her dream come true - which isn't really what the song is about, since Zara Larsson sings about a guy who may not like her in the morning when she doesn't look perfect and he has sobered up. Her performance piece would be good if the sunlight didn't get in the way. She makes up for it at night with the burning car, though.
I was trying my best to find a music video to review for this backdated date, but all that was coming up was this specific music video. Annoyingly, it is claimed to have been released on 29 December 2017; however, the video itself states that it was released on 4 January 2018. According to reports, it was first made available on Tidal before making its way onto YouTube. Either way, I'm not spending any more time trying to find another music video to review, as I don't think any others were released. The song isn't to my liking, yet Beyoncé's riffs are certainly perfection - nothing new there. Watch events unfold from 2444 before going into the past, through generations, to present day where Jay-Z, Beyoncé, and Blue Ivy spend time in a church together in this music video for "Family Feud".
Jay-Z, real name Shawn Carter, is an internationally known rapper. Everyone practically knows who he is and the ones who don't, certainly knows his wife, Beyoncé; she is also the featured singer on this specific song. He is one of the best-selling musicians of all time and has been following a career in music for decades. This song is taken from his 13th studio album titled 4:44. The album was released on 30 June 2017, so technically this isn't a new song; however, the music video is new, hence why I'm using it as my new release blog review. "Family Feud" was written by Shawn Carter, Dion Wilson, Beyoncé Knowles, and Elbernita Clark.
Directed by Ava DuVernay, the music video starts off in the future and then goes back in time to present day. It's quite a unique idea, although I bet others have thought of it before him. It has an all-star cast consisting of Trevante Rhodes, Janet Mock, Rashida Jones, Michael B. Jordan, Mindy Kaling, Omari Hardwick, Jessica Chastain, Thandie Newton, Emayatzy Corinealdi, David Oyelowo, America Ferrera, Storm Reid, Brie Larson, Rosario Dawson, Constance Wu, Niecy Nash, Susan Kelechi Watson, Henry Sanders, and Irene Bedard.
It spans almost eight minutes long and starts off with a quote from James Baldwin before starting a narrative in 2444. The score is by Flying Lotus. We watch a man, played by Michael B. Jordan, walk up a flight of stairs, storming into a woman's bedroom, played by Thandie Newton. We presume she is his sister; she's the face of the family and she's still in bed. Micheal B. Jordan's character thinks he should be the face of the family. She's lying in bed with a guy, played by Trevante Rhodes, who gets out and strangles her brother before she stabs him in the side with a knife.
The next scene sees two co-presidents, played by Irene Bedard and Omari Hardwick, being confronted formally about a murder in the family that led to his ascent that refutes his claim for peace. The two co-presidents push back, saying that everyone is family and throughout generations, they've worked together. Omari Hardwick goes on to narrate the rest of the story as we go back in time.
The next scene is almost 300 years ago, in 2148, where we see two protectors keeping watch over a disturbance that hasn't happened in centuries; which they then solve themselves. Back again we go to 2096 where the narrator states: "My family has fought for the law." The clip suggests that in 78 years time a fight will take place that is reminiscent of the cavemen days. America Ferrera appears in this scene. This is followed up by a scene in 2050 which sees a diverse group of women debating. Susan Kelechi Watson plays the adult Blue Ivy Carter, claiming she's one of America's founding mothers. They debate the second amendment - and Susan Kelechi Watson links it to the 13th amendment, which is what the director's Oscar-nominated documentary "13th" is about.
This is where Susan Kelechi Watson takes on a bit of a narrative, introducing us to the present day's scene. She states: "It's like I remember my father saying when I was a little girl. Nobody wins when the family feuds." This is when the actual song finally arrives. Jay-Z can be seen confessing in the church to his wife Beyoncé. She gives some amazing riffs that are added to the backing track. They're both stylish and on-point, fully giving us power-couple vibes in every way.
Overall, this music video focuses more on the film side of this and the story rather than the short song and the clips that go with it. It's cleverly put together but certainly feels long-winded. A long intro before the actual song and the specific clips have been something we've seen many times before, and these sort of music videos come around every few years. It's interesting and engaging, yet there's not enough focusing and understanding going on. Music videos are too short to be turned into films unless done correctly. This just feels like they've tried to compact too much in.
There wasn't much choice for my Thursday Revisit, I had planned to do a donkeyboy music video review, but they're all meaningful which will mean I'd have to go into great detail; and, since I am on a catch-up spree for this blog, I need easy visuals to review. So, taking that on board, I chose "SOS" by Rihanna as it isn't really a memorable music video, and certainly one that allows me to keep detail to a minimum. Watch Rihanna dance through these visuals as she acts sexily in some of the scenes in this music video for her song "SOS".
Rihanna, real name Robyn Fenty, launched on the scene in 2005. This song was her first single from her second studio album in 2006. It charted well globally and continued her success. She's now one of the top female artists in the industry with a whole host of chart hits, notable singles, incredible albums, and amazing awards; she truly is unstoppable. This song is such a jam now, still to this day, which shows that she really can release some incredible tracks. The song contains a sample of "Tainted Love", which was written by Ed Cobb, and was made famous by Soft Cell. It was originally given to Christina Milian, who turned it down, so it was later given to Rihanna. "SOS" was written by J.R. Rotem, E. Kidd Bogart, and Ed Cobb.
Directed by Chris Applebaum, the music video is a pure performance visual, which showcases Rihanna in various scenes and locations. She certainly knows how to give fuel to the song in the visual, giving an infectious energy that was definitely needed for the song.
We start off with her in a low-cut green dress that matches the tropical plants behind her. This scene later becomes iconic from Rihanna's back-catalogue of music videos - everyone remembers what she wore. The other scenes get lost, there's the one where she's wearing a glittered skirt and a ripped white vest as she dances flirtatiously with a man.
Then there's the mirrored room, which was certainly all-the-range back then. In this scene, Rihanna gives legs for days. Mirrored rooms have been used so many times in the past, it's no surprise to see it in one of Rihanna's videos. There are also other dance scenes that show that she can really move and follow choreography perfectly, yet there isn't enough emphasis on those scenes since they're short and sweet. Clearly, they decided to show off her sexy shots more than her dance technical ability.
Overall, the music video isn't all that memorable apart from the green dress scene. It could have been so much better. I can't help but laugh at the Nokia 3250 that she uses - why did I not know about that phone? And, why did I not have one of those when I was younger? I thought I had seen it all, but I was not expecting Rihanna to twist the bottom - I so would've had this as a child if I had known about it. Still, it's an okay music video, but I expected something so much better.
When I'm struggling to choose a music video to review, I always resort to Fergie as she is the first reason I am so behind on my blog. She released a music video for each of her songs on the Double Duchessalbum, which I covered for CelebMix, every single one of them, including this one. If that wasn't bad enough, as I was catching up, INNA decided to drop a new single a day in promotion of her album Nirvana. I have been playing catch-up ever since - and I will catch up. This song has actually had two music videos, the first one was taken down due to, we believe, explicit content; so this version was released instead. Watch skateboarders have a wild time riding the streets; as the ending draws near, Joanne The Scammer helps out the female skater in this music video for Fergie's "Tension".
Fergie, real name Fergie Duhamel and previously Stacy Ferguson, recently came back with an iconic second studio album, titled Double Duchess. It's one of my favourite albums of 2017 and certainly underrated in a whole host of ways. It really shows Fergie off as a brilliant versatile artist. This is one of my favourites from the album; actually, I love all of the tracks on their own - they all are really that good. This one is rhythmically catchy and one I could see DJs picking up and remixing brilliantly. It was written by Fergie Duhamel, Justin Tranter, Diana Gordon (Wynter Gordon), and Alessandro Lindblad (Alesso).
Directed by Fatima Robinson, this music video doesn't have a lot going for it. To be fair, I much prefer this one over the first music video. The first one was following three women as they attended a festival, and although the song is perfect for festival season, this one is more interesting to viewers.
We watch a female skater walk into a skate shop and buy a skateboard. She then launches out on to the road, rolling away. Soon enough, she starts doing foot dance moves while the board is moving; keeping us entertained throughout.
As the video continues, we jump over to a male skater, who is doing the same thing on his skateboard. They meet up and continue to do dance-like moves on the skateboards, together. They reach a hill, and he passes her a helmet, prepared to do some speed skating. She starts to go really fast but hits something and goes flying off - what she hits, we do not know, but if we slow down the video we can see a man dressed in black sitting on the road just slightly back from the skateboard. How did she not see him?
This is where Joanne The Scammer comes out and makes sure she is okay, proclaiming that if it wasn't for her lunch with Fergie she would show her how to 'bomb this hill'. She encourages the skater to get back on the skateboard and drive. The ending watches Joanne The Scammer walk up the hill.
Overall, it's a nice gentle music video, one I find much better than the first music video. However, it also has no substance to it and although I absolutely adore the song, I feel the music video just doesn't relate or work with the track itself. It is entertaining and Joanne The Scammer adds some great comedy towards the end, but it could've been a better visual.
This song came up on my iTunes which I always have on random, and I just had to review it; it was on one of my compilation albums that I own. To my surprise, Kiesza is an uncredited vocalist and even appears in the music video; I certainly was not expecting that. Even though I was aware that she had uncredited vocals on a track, I didn't identify which one it was exactly - and here she is. This was definitely a great collaboration, that deserves so much more attention, although I don't really get this music video. Watch Kiesza walk amongst the streets of London and strike dance poses at the frontman of donkeyboy, Cato Sundberg, in this music video for "Triggerfinger".
donkeyboy is a Norwegian synth-pop band consisting of Cato Sundberg, Karl Sundberg, Peter Michelsen, and Thomas Drabløs. Their debut album "Caught In A Life" charted well in their home country as well as in the Nordic countries. Their singles hit it big in Norway, from their debut "Ambitions", which hit number one, to "City Boy" in 2011 which also hit the top spot. Their following singles haven't done quite so well, but their recent album "Lost" which was released in 2016 managed Top 20 in Norway, so they're still a band who are on form and current, with the potential of huge success - it only takes one song, as we know. Uncredited as a vocalist is Canadian singer-songwriter Kiesza, real name Kiesa Ellestad. She hit it big around the world with debut single "Hideaway" a year later. Her follow-up singles did well in the UK and Belgium, with her debut album charting all around the world. She's recently collaborated with Pitbull, and is apparently working on a new album; I sure hope so as I'm desperate for new music from her. The song was written by Kiesa Rae Ellestad, Kent Sundberg, Carlo Sundberg, Espen Berg, and Simen Eriksrud.
Directed by Bjørn Opsahl, the music video was filmed in London, and it's definitely on the weird side. It is a performance piece set within a narrative. The song opens up with an infectious beat and Cato Sundberg's amazing vocals while he is sitting in a taxi cab.
That's when we spot Kiesza, sometimes she's behind draped curtains, but she's mainly spotted on the London streets. Everything's fine until she strikes a dance pose for no apparent reason. We also see the frontman of donkeyboy on the phone in a telephone box.
Overall, this music video doesn't go anywhere. At the end, we see both of them on the same street, in one shot they are both leaning on the same traffic-light post, but Kiesza soon disappears again, with a final shot on her balcony. Their performance side of things really prevents this visual from getting one star.
Looking at the chart for this backdated date - which is 25 December 2017 Christmas Day - Ed Sheeran is still at number one with "Perfect". This opens the top ten of the UK Singles Chart to my Chart Mondays review. I was planning on doing Rak-Su's "Dimelo" featuring Wyclef Jean & Naughty Boy, but the song doesn't have an official music video, which leaves me with a couple of choices. I decided on this one, purely because it has the less amount of hits on YouTube; who knows what that means in coming weeks, but I look forward to seeing what happens to the UK Chart. Music videos rarely make me cry, but this one certainly did, following in the footsteps of P!nk's "What About Us"; I swear I'm becoming an emotional wreck when it comes to personal emotional music videos. Watch an old man watching his son, NF, drown and then burn in a fire, then look down on him in a coffin, feeling sad he was never proud of him, with a mighty twist at the end in the music video for hit single "Let You Down".
NF, real name Nathan Feuerstein, is an American Christian hip-hop artist who has a total of four album releases to date. All of his singles have charted on the US Billboard Christan Songs chart, but this is the one that has truly given NF a massive international hit. It's true, it really does take just one song, and this is the one. I'm pretty sure this is the start of NF releasing chart hit after chart hit as more and more people discover his music. This song peaked at number two in Sweden and Norway, number four in Ireland, and number six in Finland and the UK. "Let You Down" was written by Nathan Feuerstein.
Directed by Nathan Feuerstein and Patrick Tohill, this music video hits every viewer in the heart; if the song wasn't emotional enough, paired with this music video it truly gives us all, all sorts of feels. It has one twist of an ending too.
The opening scene sees an old man walk down to a dock on a lake. As soon as the chorus finishes and NF's rap launches in, a young man is seen flailing around in the water, fully-clothed, drowning. The old man does nothing, as he watches his son, played by NF, die in the water. As the chorus returns, the older guy lip-syncs to the song, as if the chorus is words from himself.
The second verse kicks in and we're transported to a field where a car is surrounded by flames. Inside is NF, once again, as his father watches on - once again. The chorus comes back as the car lights up and burns completely. The final verse comes in as we see a coffin in an open grave, the old man opens the lid and reveals his son lying there; he's in shock and dismayed at himself.
We return to the drowning scene as we near the end of the video. This is where the full-on twist comes in. We see a close-up of the father's face, then a close-up of his arm, which displays a tattoo of a word starting with R-E-A - which we can presume is the same tattoo NF has which actually says "Real Music"; and, the shocker of them all, the old man's wife, we presume, comes out and says "Nathan?" as if that's his name. Meaning the whole video is an old man looking back on his younger self, proclaiming that he let himself down. It's such a shocking but interesting twist.
Most people are running with the father-son idea though, and let's just presume they had the same name and matching tattoos. This made me cry because this is something very real in my life, as well as many other people's lives. All I want to do is make my parents proud, and all that I have achieved to date is something I am proud of, myself; and I know I'm going to achieve so much more, but my father is always putting me down and it does make me want to give up sometimes. This music video is beyond personal, and so is the song. NF has created a masterpiece, one we all need to watch and listen to! He's certainly has become my new favourite rapper, singing about real things and real life.
I recently heard this song in a movie trailer, the film in question is titled "Breaking In" (which just goes to show that this blog is backdated, since the trailer, which can be viewed here, was released on 11 January 2018, and this blog is backdated to 24 December 2017). It has been stuck in my head ever since, and to be fair, so has the visuals from the movie - since that film does look epic! In comparison to this music video, this visual certainly falls short. What I wasn't expecting was the military couture, Rihanna's style is on point throughout and she certainly knows how to work these outfits! Watch Rihanna commanding her troops as she brings high-fashion to the military and the desert while Jeezy raps a segment in this music video for "Hard".
Rihanna, real name Robyn Fenty, has definitely established herself as one of the top female artists in the music industry. She has had a number of hits although my favourite era was certainly the Good Girl Gone Bad era and I still consider "Don't Stop The Music" a total jam. Her recent releases haven't quite hit their mark single wise, and it'll be interesting to see where she goes from there. She is currently working on her ninth studio album, so expect new music from her pretty soon. The song features Jeezy, real name Jay Jenkins, who was previously known as Young Jeezy. He was in rap group Boyz n da Hood, and has gone on to have quite a few hits, his biggest solo hit to date is "Soul Survivor". The song was written by Terius Nash, Christopher Stewart, Robyn Fenty, and Jay Jenkins.
Directed by Melina Matsoukas, this music video is a pure performance piece set in the desert, drawing inspiration from high fashion and combining it with the military.
As I previously stated, Rihanna totally works all the fashion items, to the extent where she really put her own stamp on the fashion industry with her military couture. Some of the clothes aren't typical, yet she works them as if they are everyday wear. Her spiked-shoulder tight-fitting dress became an iconic look for her and this video really established that.
The theme relates greatly to the song because the song is all about being strong and fierce - hard, for lack of a better word - and Rihanna styles that out with the theme and her confidence. Jeezy doesn't add much to the visual, but his words are needed to break up the song.
Overall, this is a completely unforgettable music video - there's even a bright pink tank, which is pretty memorable. Rihanna brings it and her gladiator look is totally on-point, well until she decides to get muddy. With this female singer being strong and powerful, Jeezy kind-of falls short.
This is completely random, I literally typed Lucy into YouTube and saw Lucy Hale's name and decided to finally review one of her music videos on my blog; to be fair, I am a fan of her music, so I'm glad that I've chosen this one, with the help of YouTube. Her debut album "Road Between" is certainly worth a listen and she really managed to establish herself as a country music artist, it's just a shame she hasn't continued music, although her acting career has certainly taken off. Watch Lucy Hale perform at the Grand Ole Opry House in Nashville, Tennessee while snippets of her having fun with friends and being carefree are cut between in this music video for "Lie A Little Better".
Lucy Hale is pretty well known as an actress, she's massively known for playing Aria Montgomery in Pretty Little Liars although she's been in a whole range of TV shows including loved but short-lived Privileged as Rose Baker and the equally loved but also short-lived refresh TV series of Bionic Woman as Becca Sommers; she also won American Juniors with five other children which made up the group of the same name. In 2014, she returned to music, releasing two singles and an album with moderate success. This was the second single and I love this track so much, I just wish it had charted better and helped her kickstart her music career. The song was written by Mike Daly, Chris DeStefano, and Melissa Peirce.
Directed by Philip Andelman, the music video must have been a dream come true as we watch Lucy Hale perform at the Grand Ole Opry House in Nashville, Tennessee. She really manages to own the stage and her sense of inclusiveness to her backing band is heart-warming, to say the least.
It's nice to see Lucy Hale be herself and full on go for it on that stage. She is clearly meant to be on stages all around the world and I sure hope she comes back to music at a later point and goes on a world tour as I can just imagine the energy she gives out when she performs. Please come to the UK for a gig so I can come and see you, Lucy Hale. This video paints her in a perfect light making us all wish we could go an see her.
As for the fun-clips, they're full carefree moments with friends, something that we've all felt but wish we had more of. They're moments that you miss, but in those current moments, it's just you and your friends being yourself and doing your thing. It's cute, but unfortunately unrelatable to the song - if only this struck up a slight narrative, it would be getting the top rating from me, but these clips just make it fall short.
Usually, I hate this specific week of the whole entire year and the week after, purely because most artists don't release new music, let alone music videos. Luckily, for me, Loïc Nottet has come through (this blog post is backdated if you haven't already guessed). It is a Christmas-spirited music video and song, with it being a full-out piano ballad. This is certainly one of those songs that will grow on me, I automatically like every single Loïc Nottet song, but this just feels average compared to his previous tracks. Watch Loïc Nottet and Justine Vercleven dance together while the former sings at what looks like a piano in this music video for his song "Go To Sleep".
Loïc Nottet is mainly known internationally for coming fourth in the Eurovision Song Contest 2015, where he represented his home country of Belgium with the song "Rhythm Inside"; he scored 217 points. Previously, he came second in the third season of The Voice Belgique. That's not the only talent shows he has been on, after Eurovision, he went on to win the sixth series of Danse avec les stars (the French version of Dancing With The Stars / Strictly Come Dancing). He released his debut album last year, titled "Selfocracy" and I chose it as my favourite album of 2017 for CelebMix - make sure you check out what other albums made the CelebMix Top 2017 Albums, the article I wrote up. I can only hope that the release of this single suggests he's working on new music for 2018. This song was written by Loïc Nottet and Eric Chevet.
Directed by Sidney Van Wichelen, this music video is displayed almost like a vertical music video, containing the imagery into a box, reminding us of when TVs used to be square.
There is a performance piece and a narrative going on. The performance side of things see Loïc Nottet singing into a camera, we can presume he is sitting at a piano, playing the song, with the camera propped up on the piano so we just see him. It's quite a different performance piece but allows focus on the dance narrative being displayed.
Together, Loïc Nottet and Justine Vercleven work brilliantly as a dance duo. They have been in a romantic relationship for years, and their passion for each other is very clear. They perform on a bench in front of a Christmas tree. The choreography is flat out amazing and totally on point, although eagle-eyed fans did notice that it was a similar dance choreography that they performed previously in a video to Elvis Presley's "Can't Help Falling In Love".
Overall, this music video is completely loving and perfect for Christmas time. I like how the song isn't a typical Christmas song, and instead brings something lovely to the table. The music video is all right, but nothing as epic as what Loïc Nottet has previously released! I don't get why it's a square music video. This is nowhere near as great as "Million Eyes" or "Mud Blood", even "Doctor" is better than this; but this certainly is love-filled.
Here is Thursday Revisit, and since I didn't think I'll ever get the chance to review another Modjo music video, I thought why not choose this one? I previously reviewed "Lady (Hear Me Tonight)" earlier in the week, hence why I'm reviewing this one for my Thursday Revisit. I actually have a slight memory of it, but the song wasn't to my taste so I don't think I ever watched the video all the way through; although, I have a slight recollection of the track, or maybe it's just the similar groovy vibes? Watch a bowling competition take place between two teams, while there is a disco ball head man dancing and Modjo working at the bowling alley in this music video for their song "Chillin'".
Modjo were a French DJ duo consisting of Romain Tranchart and Yann Destagnoi (also known as Yann Destal). They only released an album before parting ways. This song became their second single and had moderate success in some countries, clearly riding the "Lady (Hear Me Tonight)" wave. Unfortunately, it didn't live up to their debut single and was certainly the start of their downfall. The songs certainly have similar vibes, with this one focusing much more on the fun side of things lyrically, whereas the debut single was filled with much more emotion. The song hit number three in Finland, number four in Spain, number ten in Switzerland, and number 12 in the UK; which just goes to show this didn't live up to the first song. The song was written by Romain Tranchart, Yann Destagnoi, Nile Rodgers, and Bernard Edwards. It samples Chic's "Le Freak", hence the songwriters.
Directed by Yannis Mangematin, this music video was set in a bowling alley. It opens up with a dancing man with a mirror disco ball as a head, backed up by two female dancers. This precedes the bowling competition.
This was way back when bowling was all the range and something everyone did. Nowadays, the bowling alleys are pretty empty which brings a much different atmosphere when attending. We watch as each player is knocked out, leaving the top two players; one team is wearing masks. Yet, it's the other team that wins, after being distracted by one of the female dancers.
The ending sees a party going on, and many people have spotted the young woman from the "Lady (Hear Me Tonight)" music video. Not only that, Modjo also make another appearance, this time as staff of the bowling alley. The music video doesn't really go anywhere, although does create some hype and tension around the bowling competition. It feels unrelated to the song though.
I really am looking to YouTube to come up with music videos I can review quickly so I can finally catch up, since I am 25 blogs behind, at the moment - I am determined to catch up, and I will. I was planning on doing Spice Girls' "Spice Up Your Life", but that's already done, then I came across Lady Gaga's "Judas", but I think that music video is going to take up too much of my time, for now - I will review it at a much later date - so then I stumbled across this one, and I'm surprised I haven't reviewed it yet; although to be fair, it's one of Britney Spears' weakest music videos. Watch black-haired Britney Spears pole dance while blonde-haired Britney watches with amusement before checking out a guy in the bar, in this music video to "Gimme More".
Britney Spears needs no introduction, she's one of the top female singers in the entire world who still manages to get chart hits when she needs to. She has recently finished her Vegas residency, which has certainly led the way for many singers to take on Vegas residences after her first set of shows were completely sold out. Reverse back in time, though, and Britney Spears was hitting all the headlines as she went through some personal struggles, and this song and it's subsequent album was released around that time. This was certainly a new side of Britney Spears and the music video really shows that her head wasn't into it - same goes with the other video released from the Blackout album "Piece Of Me" ("Break The Ice" doesn't count since it is an animation visual). The song still climbed high on the charts, regardless of the negative critical reception the video and song got. It managed to peak at number one in Canada; number two in Brazil, Denmark, Ireland, Italy, and Sweden; and number three in Australia, Norway, the UK, and the US. The song was written by Nate Hills, James Washington, Keri Hilson, and Marcella Araica.
Directed by Jake Sarfaty, the music video is beyond basic and certainly isn't on par with what we expect from Britney Spears. Although, this song is certainly the beginning of "It's Britney, Bitch".
There's a slight narrative going on as we see blonde-haired Britney Spears enjoying a drink at a bar, whilst black-haired Britney Spears starts pole-dancing. Britney enjoys watching Britney's show before taking an interest in a guy who is also drinking within the venue.
The dancing isn't anything amazing, and to be fair I do pole dance much better than Britney Spears in this video when I go clubbing - as there is one venue with a pole on the dancefloor. She's quite methodical, clearly thinking about the steps she's taking and what she should do.
The music video was edited and re-edited, with a leak of the previous version being released in 2011. This version omitted the blonde-haired Britney scenes and included the female singer walking down the street and being in a zebra-print bed with a cat. It's clear that no matter what version was released and no matter how this was edited, it clearly couldn't have been saved. However, I much prefer this version, as it gives off a slight narrative that is relatable to the song itself; so, I guess it was a good decision to re-edit the video.
I have been obsessed with the recently released song "Boom Boom" by RedOne, Daddy Yankee, French Montana, and Dinah Jane; that is a re-work of this track. So, having already reviewed that music video, I thought I might as well review the music video to this classic track; that certainly takes me back to my childhood as it was released back in 2000 when I was seven years old. I certainly don't remember this music video though. Watch three young adults go out and have some fun and just live their life in this music video for Modjo's song "Lady (Hear Me Tonight)".
Modjo were a French duo consisting of Romain Tranchart and Yann Destagnol (also known as Yann Destal). They released one album and five singles, this one being their debut and biggest hit. Their follow-ups never quite hit the mark around the world, although "Chillin'" hit number 12 in the UK. The band members went their separate ways in 2003, focusing on their own solo careers; Romain Tranchart went down the producing and remixing path, whereas Yann Destal went on to release an album which gained moderate success in France. It really is this track that made them a total one-hit wonder. It hit number one in the UK, Ireland, Italy, Romania, Spain, and Switzerland. The song samples Chic's "Soup For One". It was written by Yann Destagnol, Romain Tranchart, Bernard Edwards, and Nile Rodgers.
Directed by François Nemeta, the music video displays three young adults having a spontaneous day, where they just go with the flow and have a good time. It does make me think that this is where the idea of the Tim Berg "Seek Bromance" music video came from.
There are a few interpretations of this music video, some people seem to think that this is a polyamory relationship, whereas others think the one guy is just the third wheel. Either way, it's that shower that makes us all question what is really going on. Although, it's pretty clear that one of the guys and the girl is in a relationship with one another - that shower scene is definitely on the sexy side.
The narrative shows them purchasing a car and hitting the road to a festival where a lot of older adults are attending. Line-dancing is shown as well as a stage show, where a guy throws a bottle at one of the three main characters - which then leads to the shower scene. Then the car breaks down - was bound to happen - and the final scenes see them on top of a hill.
Overall, this music video doesn't make the concept clear and seems pretty unrelatable to the song. The one guy, who some refer to as the third wheel, feels more like our main character, which doesn't make sense compared to what the song is about; you would expect the other guy to be more of the main character. This music video displays free spirit with the young adults being carefree, which doesn't correlate to the song at all. It does get a slight kudo for Modjo appearing as backing characters, did you spot them? They were the car salesman and the mechanic. Yet, they don't add anything to save this as a whole.
Backdated Chart Mondays again, as I focus on catching up week-on-week. I will do this, I promise. Ed Sheeran remains on top with "Perfect", and therefore allows one of the top ten from the UK Singles Chart, to be reviewed by me. This one is dropping out. It is officially Marshmello's biggest selling single to-date which certainly goes on to show that this masked DJ is on top form for 2017, but can he keep it going as the new year comes through? The same goes for Khalid who will no doubt become a big star in the next few years. This was an undeniable catchy collaboration, that totally worked in both of these artists favours, I just wish the music video was that little bit better. Watch Khalid and Marshmello perform and bring a sense of unity in this inspiring and lovely music video for their collaborative single "Silence".
Marshmello has really stepped up to the chart music world recently with some incredible collaborations, proving why he is one of the top DJs in the world. He's been a name we've all known for some time, making waves on stages, at festivals, and in the dance music world, but didn't really have an identifiable hit until this one and "Wolves" came along. Now he's a force that we are all watching, prepared to see what else he brings to charts around the world. Featuring on the track is Khalid, full name Khalid Robinson, who is certainly a rising star, managing to fully stamp his way into the international music industry. We all know that the next few years will see him dominate charts around the world, especially with the hype behind him. This song, unsurprisingly, hit charts hard around the world, peaking at number two in Norway, and number three in the UK and New Zealand. "Silence" was written by Khalid Robinson and Marshmello.
This music video is mainly a performance piece with a narrative set within. We watch Khalid leave a building and get on his bicycle before the song starts. He has a subtle stage presence as he sings whilst sitting on the bike, backed up by four other cyclists and Marshmello on his own bicycle.
Their bicycles certainly draw the audience in as they have lights wrapped around the wheels - why did we not have them as children? Such a great idea! The narrative shows a bunch of people who aren't having the best of days being cheered up by Khalid and Marshmello and the rest of their group with their neon lights.
As for the performance side of things, Marshmello comes off more as an unanimated mascot for Khalid and the song, rather than displaying what he does best - where are those DJ decks? As for Khalid, he has this relaxed style of performing that doesn't release any energy or inspiring vibes; it's certainly his voice that makes us enjoy this song because he doesn't bring anything addicting to the visual itself.
Overall, I so expected this to be a lot better. More focus on the characters within the narrative would've allowed this music video to be more gripping and engaging for the audience. Instead, we're left with Khalid and Marshmello, not really living up to their incredible artistry; maybe they were just too tired from cycling everywhere and pouring their energy into creating the track; leaving the video to not meet our expectations. The narrative saves this from being a total disaster.
I forget that Alexandra Burke has collaborated with Pitbull, mainly because, this song and music video, collectively, isn't that memorable. I remember really not liking this visual and purposely avoiding it on the music channels, way back when. I just feel this is a low-budget and annoying concept that they came up with to film a party music video. Kudos for it being different, but it's certainly not to my liking. Watch Alexandra Burke party the night away all night long with a bunch of friends as the footage is taken from 50 cameras filmed by the party-goers in this music video for "All Night Long" featuring Pitbull.
Alexandra Burke is best known for winning the fifth series of The X Factor in the UK back in 2008. She has had a number of hit singles, including this one and has gone on to have a great career. She's gearing up to release her third studio album in the next couple of months, so I'm more than excited about that. She has recently been promoting herself by taking part in Strictly Come Dancing, where she came second; and, previously, she played the lead role, Rachel Marron, in The Bodyguard UK Tour. I'm sure with some great promotion behind her, she will make an epic comeback to music, with her third studio album. Featuring on the track is Pitbull, real name Armando Pérez, who is an American rapper who everybody pretty much knows. He has established his name in the music industry and continues to collaborate with the biggest and the hottest rising stars in the industry. This song did pretty well when it comes to chart success, all around the world, but didn't bring in quite the high numbers compared to previous singles. The song is undeniably catchy, but I have to admit, I'd rather not see that music video ever again. "All Night Long" was written by Richard Butler, James Scheffer, Louis Biancaniello, and Sam Watters.
The music video was directed by Dale Resteghini. To film this video, Alexandra Burke asked her family and friends to record the actions of this all night long pool party on pocket video cameras. The video opens explaining this in a few short words.
This concept is so stupid. It totally loses the audience, in my opinion. If I'm going to watch a party music video, I want to see something I admire, a great sense of performance energy from the artist, and something totally different and unexpected. It is a unique concept and something different, but I certainly don't mean that in a good way.
There's literally nothing entertaining going on in this music video. The cameras are moving too much, so much so that the viewers find it difficult to focus, and Alexandra Burke comes off more like an empowering dominant female who everyone follows orders from.
As for the Pitbull segment, it's clever he appears on the TV however he doesn't save this video at all. In fact, he just brings his typical Pitbull appearance to this scene and correlates his scene with the rest of the music video, with the dodgy filming. This is something I hope I never get to see again. On the other hand, I adore the song and will continue to hear it on my iTunes.
I know! I know! I know! I'm so far behind on my blog, it seriously looks like I'm never going to catch up, but you have no idea how hard I work and I am on a focused catch-up spree for the next few weeks, so expect music video review after music video review. I only know Becky G from her collaboration with Cher Lloyd on "Oath" so it'll be interesting to see what her biggest song of her career, to date, is like. It is quite a cheesy pop number but one that is crazily addictive and definitely lovely. Watch Becky G lounge around at her house/pool party whilst sexily singing in the shower fully-clothed in this music video for her hit single "Shower".
Becky G, real name Rebbeca Gomez, has really come into her own, recently, especially since she played the Yellow Ranger, Trini, in the 2017 film, Power Rangers. This could certainly skyrocket her as an artist with her getting more attention, which she certainly deserves if this song is anything to go by. She rose to fame after one of her videos caught the attention of Dr. Luke, who quickly signed her to his record label Kesombe Records. As Kesha's lawsuit is still ongoing, who knows what the outcome will be, let alone what will happen to the artists on the label, regardless, this song went viral and charted well in the US, although it didn't do so well in the UK, although number 80 is nothing to be snubbed at since the UK Chart rules isn't exactly helping new artists hit the scene. The song was written by Rebbeca Marie Gomez, Lukasz Gottwald, Henry Walter, Theron Thomas, and Timothy Thomas.
Directed by Tim Nackashi, this music video is pretty basic. It is totally a typical party music video, with some cool editing techniques and Becky G fully going for it with the fully-clothed shower which shows that she's prepared to try things to make the visual link with the song.
There's not a lot else to say about this music video because it really is simple, with some of the lyrics transcending right into the visual. Not only that but before the song even starts there are product placement and promotion, which definitely reminds me of an Avril Lavigne music video such as "What The Hell" or "Rock N Roll".
The pure performance music video certainly puts Becky G in a brilliant spotlight, showcasing her energy in every way. This is certainly something I can't fault her on, and she sure makes this video good; unfortunately, it's not memorable because it has been done so many times before.
Technically not a music video, but there isn't much of a choice upon this new release music video review. Besides, this is such a lovely visual for the song that it deserves to be reviewed by me. I previously reviewed the original version of "Perfect" for my Chart Mondays' review as it has climbed to the top this week, so it's incredible to see Ed Sheeran fight to stay at the top spot by releasing another version, this time with the incredible Italian singer Andrea Bocelli, in the hope of getting the Christmas number one (which he did). I'm not going to lie, I disliked this version very much when I first heard it, but I am growing to like it, slowly. I definitely like the symphony within the backing track. Watch Ed Sheeran and Andrea Bocelli team up on an awesome rendition of this song, in the latter's house where the former marvels at everything around him in this music video for "Perfect Symphony".
Ed Sheeran is on top form this year! His album managed to be a huge success and every single song managed to chart in the UK top 20 - something no other artist has been able to do and no artist will be able to do since the rules have now been changed. He really is a dominant force in the music industry and the original of this song, titled just "Perfect" is most-likely the first dance at most wedding receptions. He already released a collaboration with Beyoncé titled "Perfect Duet", and then this one dropped with Andrea Bocelli. He is an Italian singer who has been blind since the age of 12, following a football accident. That hasn't stopped him at all, and he's gone on to have a stand-out career, one only singers can dream of. He's collaborated with top names and charted all over the world. He's best known for the song "Time To Say Goodbye" which was a collaboration with Sarah Brightman. This song was written by Ed Sheeran and Andrea Bocelli.
Directed by Tiziano Fioriti, this music video is almost a behind the scenes video of what happened when Ed Sheeran recorded "Perfect Symphony" with Andrea Bocelli. The camera captures some beautiful moments from the very start, even before the song kicks in. This is what makes the video that extra bit magical.
This little insight is so amazing to see. You can tell Ed Sheeran is awe-struck by the house and various things he notices. Then there are comical moments, like when he tries to learn the bits in Italian. But the truly interesting bits are the interactions and the moments they harmonise. It's so great to watch.
Although to take it all into consideration, it's a totally different viewpoint to the original "Perfect" video, and it's more of a making-of video than an actual music video since there's no narration and no performance side to this at all. It's interesting to watch and a great different take. We totally see Ed Sheeran's humble side and how incredible this is overall.
I watched this as research for the Cedric Gervais version that I reviewed which is a collaboration with Howard Jones, also titled "Things Can Only Get Better"; which totally remixes the song and makes it current and catchy. It may not have charted but this original version sure did being very current at its time since new wave music was certainly in. I never even knew Howard Jones was a singer, I recognise him from TV. Watch Howard Jones perform live on stage, showing off his energy as we watch character profiles in this music video for his hit song "Things Can Only Get Better".
Howard Jones is quite a recognisable face, and I think I've spotted him on a number of TV shows, although which ones, I'm not sure. Anyway, he had a very successful career back in the 80's with a number of hit songs, this one being one of them. I didn't realise he was a singer until I started research on that previous blog post which was a Cedric Gervais collaboration of this song. I doubt Howard Jones could make a comeback to the music industry, let alone the charts - unless more remixes are in store for future releases. This song hit number six on the UK Singles Chart and number five on the US Billboard Hot 100. It was written by Howard Jones.
This music video is quite interesting considering the year it was released. If we knock away the square film and the blurry images - because that certainly wouldn't be happening today - we have quite a good music video.
The pure performance visual really displays Howard Jones' stage presence, and it really reminds me of Laura Tesoro's recently released music video for "Beast", as we see both of their teams set up the stage. In this case, Howard Jones has started to sing his song already and we watch him go from the building of the stage to his dressing room, and then back onto the stage to perform to his fans. It's been well-timed and put together very neatly.
As for Howard Jones' performance, he has brilliant energy from start to finish. He's emotionally honest in the first few scenes building up his energy slowly so that he can unleash it on the crowd during the show. It may be an old video, but it still comes across perfectly.
There are a few character profile scenes of various people who then gets the spotlight during certain scenes at the show. It's cool, clever and well thought-out. I just would've liked a closer link to the song itself.
WOW! When two top Russian Eurovision representatives from different years, come together, magic happens! This is the result and it's absolutely incredible! I sure hope this isn't the one and only time Sergey Lazarev and Dima Bilan collaborate because we need more of this! One of them is from Eurovision 2008 which he won (he also previously competed in 2006 coming second), the other graced the stage in 2016, also coming second. Together they sure are a force to be reckoned with and this is beautiful and authentic. Watch Sergey Lazarev & Dima Bilan perform their collaboration song amongst a forest and on the beach before turning into animals at the end, in this music video for "Прости меня"
Sergey Lazarev is best known for representing Russia at the Eurovision Song Contest 2016, where he came third with the song "You Are The Only One"; during the votes, he came out on top in the public vote, but it was the jury vote where he didn't score enough points. Overall he scored 491 points under the new voting system. He has gone on to release more addicting music (including this song) and continues to prove he is one of the top male Russian artists in the industry. The same can be said of Dima Bilan, the collaborator on this track. He has also represented Russia at Eurovision, he competed at the Eurovision Song Contest 2006 and the Eurovision Song Contest 2008; he came second in the former with his song "Never Let You Go" where he got 248 points, and won it in the latter with his song "Believe" where he gained 272 points; all of which was under the old points system. This is why this is a brilliant and epic collaboration! Surprisingly, the song didn't chart well in Russia, or in any other country, so it will definitely go down as a global treasure, one we all love but not enough to get it to chart well. The song translates into English as "Forgive Me" and is about asking a lover to forgive. It was written by Roma Kenga.
Directed by Leonid Kolosovskiy, the music video is displayed in black and white for no reason other than to stop colourisation and perhaps give it a solid sad feel to the song - which works but doesn't mean I have to like it. It's purely a performance video, that allows each artist to send out the emotion of the song.
The guys bring it for the visual, Sergey Lazarev is there bringing the passion in a forest-like setting, whilst Dima Bilan gives us all sorts of chills as he sings on a beach. He even drops a pocket watch with an image of a woman on to the sand - talk about hitting us in the heart.
There are some scenes that see them together, walking down a path that later splits off. There is also a whole performance scene in a totally different location against a black screen - it adds more depth because they are totally performing, but it looks quite odd mixed up in the other scenes.
I do love the final part, where Dima Bilan rushes into the water - we're very happy about seeing a wet Dima Bilan, but he soon turns into a dolphin which is more cute than sexy. All the while, Sergey Lazarev turns into an eagle as he runs to the top of a high-point. It's clever and cool, with some great emotional realness throughout. However, there's so much that could've been included, we needed more depth and the black and white visual doesn't add anything either.
