This dropped recently, and I just HAD to review it, especially after hearing it live at the Kiss Haunted House Party 2016. This full on party anthem was initially sung for the first time at the Kiss Haunted House Party 2016, where I captured the entire performance of the song. It was released the following day and then was performed on The X Factor, just last week. The song is her first solo effort since winning the contest, not counting the winner's single "Forever Young". Louisa Johnson goes out, it was only meant to be for an hour or two. A bar performance and a brawl all happen in this "So Good" music video.
Louisa Johnson won the twelfth series of The X Factor. She is known as the only winner never to hit the top two with her winning song; unfortunately, she got to number nine with "Forever Young". However, teaming up with Clean Bandit for song "Tears" was an amazing idea and once again pushed her into the limelight. This definitely helped to further her potential success. This song is completely catchy, it's party inspired but quite a slow ballad pop song that we can't get out of our heads! It was written by Steve Mac, Chelcee Grimes & Ed Drewett,
Directed by Emil Nava, a constant name we hear often in the directing of music videos. this was obviously going to be theatrical from the first few seconds.
Louisa Johnson performs in bed, clearly waking from a possible nap? Other scenes show her performing at an empty petrol station and a bar.
This bar is an important part of the music video. She steps onto the stage and sings the song. The bar is practically deserted apart from the drunken guys, one of who steps up to her and dances. This guy is shoved away by her crowd.
The girl group later go outside to beat up the men outside who are ranting at them. It would've been good if they had all cartwheeled forwards at the same time, but it's slightly out of sync. Louisa Johnson just stands in the middle and sings.
As a whole, it's an okay music video. It's clearly high-budgeted and has a similar feel to Alexandra Burke's "Bad Boys", yet it's trying to make Louisa Johnson way more classy. It incredibly theatrical, yet nothing to follow-up. The video does suit the song well, though.
Literally didn't know what to review today, so I let my iTunes pick by playing all my songs on random, this one came up and I was like, okay. I am slightly surprised I haven't reviewed this yet. It was released after the awesome collaboration with Miss Britney Spears on "Scream & Shout". It worked well. will.i.am becomes robotic whilst Justin Bieber is a hologram in a futuristic take during the music video of "#thatPOWER".
will.i.am is quickly becoming a household name, if he isn't already. Definitely one of the leaders in the music industry, his real name is William Adams. He has worked with some of the biggest stars, and his own band, the Black Eyed Peas, are embedded in history as one of the biggest groups. There is really no stopping will.i.am and I cannot wait to see where The Voice UK coach ends up. Collaborating on this track is Justin Bieber, another high-profile male artist, with various hits under his name just like will.i.am. Such a massive collaboration, it's no wonder this song did so well. It was written by William Adams, Damien Leroy, and Justin Bieber.
Directed by Ben Mor, and filmed in Japan, the video features will.i.am as a robotic dancer, Justin Bieber as a hologram and there are appearances from Japanese dance group World Order.
There is an alternative music video available to watch alongside this one through Shazam. This additional video has no audio; it is supposed to give you an alternative viewing experience by allowing you to view it alongside this one so you can notice the differences.
As a whole, it's an innovative idea, definitely futuristic, which makes it quite clever since the music video is futuristic.
The dancing is on point throughout, we expect nothing less from will.i.am. However, I find it very unfortunate that Justin Bieber wasn't there in person. The hologram makes him look dead or something, suggesting he never made it to the future. The dancing is occasionally out of sync, but it can be forgiven since they are subtle.
World Order are amazing in their scene. Defying dancing as we know it and managing to easily stun us throughout.
There's not a lot else to comment on. This is totally interesting from start to finish, and it feels like it's part of a bigger picture. There's just something missing, there should be a more expansive narrative. Nothing continues the video on, it's hard to understand what is going on.
Okay, so this was someone I didn't like on The X Factor, a joke act on the show, so to speak. Now he's this glorified drag queen, and I like him a little more. I kind of wish he had entered The X Factor as Sarah Lee, as I would've supported him all the way through The X Factor. However, is this just an attention-seeking alter-ego, especially when we have credible artists who are drag queens like RuPaul and Conchita Wurst. If he had released this song as Sarah Lee, and encouraged people to call him by that name when he's in drag, then fair enough, but personally, to me, this is an exposure ploy. Johnny Robinson, dressed as Sarah Lee, performs in this music video for "Deliver Me" whilst a guy plays the violin.
Johnny Robinson was a contestant during the eighth series of The X Factor. He came eighth overall. Various other artists from that year have gone on to have successful careers, whether that's in music, on the stage or in other ways. Regardless of what people said, the eighth series managed to create some artists that are highly talked about to this day. Johnny Robinson has previously released music, most notably a Christmas song in 2012. Now, as Sarah Lee but known as Johnny Robinson even when he's dressed in drag, he has released this single. It was written by Jon Marsh and Helena Marsh.
The music video is extremely basic, but I have to give kudos for Johnny Robinson; he looks stunning as Sarah Lee. It really shows what makeup and a wig can do! Sarah Lee looks fire!
It is mainly a performance piece, the thing is Sarah Lee isn't performing that well, Johny Robinson did much better on The X Factor stage, but in this music video, he seems more concerned about looking good for the camera rather than trying to give a good performance.
I don't quite understand the violin player, perhaps he's the love interest that Sarah Lee is singing to, but it just fails to flow.
At the end of the day, I think Johnny Robinson should continue to release music as Sarah Lee. I'm sure he would have a more successful career as a drag artist. However, they should release the music under Sarah Lee, rather than confusing the world by putting his actual name on the track.
This was obviously going to be a part of my Halloween Special. This music video is monumental, it's iconic, it's the one everyone still talks about today! My blog has been going for over five years, and it shocks even me that I have never reviewed this music video, actually I don't think I've ever watched it from start to finish before today. But now, it's time to redeem my blog by making sure this gets reviewed, and what better way than being a part of my Halloween Special? Michael Jackson turns into a werewolf and a zombie in this "Thriller" music video, but is it all just in her head?
Michael Jackson, what am I meant to say about THE Michael Jackson? He's a total legend, everyone knows who he is and he definitely shaped music as it is today. Surprisingly, this song didn't chart as well in the UK as it did everywhere else as well as his other singles. It got to number 10 in the UK and has yet to peak higher than that, regardless of the multiple entries in the UK chart. The song will forever appear on Halloween playlists and is always the first song people think of regarding Halloween. "Thriller" was written by Rod Temperton. It was originally called "Starlight", but through many transformations, it became the title it is now.
Michael Jackson had a vision for this music video, having seen 'An American Werewolf In London', he wanted the director of the movie to be the director of his music video. John Landis agreed. The love interest is played by actress Ola Ray.
We watch as a car runs out of fuel, Michael Jackson and Ola Ray start to walk home. He asks her to be his girl and gives her a ring to make it official. That's when he admits that he's not like other guys; he next transforms into a werewolf and chases after the girl.
The scene changes to modern-day with Michael Jackson and Ola Ray in the cinema, watching the previous scene. She leaves the cinema because she's not enjoying it. Michael Jackson follows her out and starts to sing the opening verse, whilst dancing around her.
They walk past a graveyard; this is when Vincent Price's vocal part kicks in and we watch skeletons rise from their graves, almost like zombies. They catch up with Michael Jackson and Ola Ray circling them.
This is where Michael Jackson turns into a zombie and the iconic dance scene begins. This is completely flawless from start to finish. The choreography really focuses on the storyline and makes it relatable. Everyone is in sync and it's more than perfect.
Ola Ray runs into a house and shuts the door but that doesn't stop the zombies from coming in and chasing her. Zombie Michael Jackson closes in. But the next moment, he's back to normal and there are no zombies. Ola Ray calms down and gets off the couch, allowing Michael Jackson to take her into his arms. What she doesn't see is Michael Jackson looking back at the camera and his eyes gleam yellow. He surely isn't like other guys.
The ending was recreated for Britney Spears' epic video for "I Wanna Go". The iconic dance scene has been covered plenty of times. This video as a whole has got it all, and it is definitely one of the best music videos ever made. It's got a great narrative, a brilliant performance piece, and an eerie ending that you can't help but love!
My Halloween Special isn't all about the new Halloween songs, old ones have to totally be included as well. Although I am more of a fan of the more recent version of this song by Beatfreakz, which is also called "Somebody's Watching Me", there is just something more haunting about the original. The song features Michael Jackson singing the chorus, with Jermaine Jackson provides backing vocals. Rockwell arrives home thinking that "Somebody's Watching Me" inside his house. He envisions items and people, turning it into a very paranoid music video.
Rockwell, real name Kennedy Gordy, is the son of Motown founder Berry Gordy. He had a short-lived career in the 80's, releasing three albums and ten singles. This debut single is his biggest hit, possibly because of the featured vocals of Michael Jackson as well as the backing vocals from Jermaine Jackson. The song hit the UK charts at number six, but Beatfreakz did better by hitting number three in the UK. In the US, Rockwell hit number two with this song. But got to the top spot in Spain and Belgium. The song was written by Rockwell.
The music video is low-budget and directed by Francis Delia. It's a complete narrative with a short performance piece embedded within.
Rockwell arrives home to discover his house has become haunted. He envisions various things, from his dog being a mutant pig, to someone watching him in the shower. It's relatable from start to finish.
The star is really not having the best time in his house. Even the people on the TV come up to the screen and watch him. There's also this freakish butler who appears in the background of the thumbnail. He also envisions himself buried in the graveyard, as well as various other spooky things.
This is inspired by the film 'Psycho', but the visions is reminiscent of 'The Dead Zone'. The haunted house theme is a classic Halloween storyline that always manages to scare. Michael Jackson, unfortunately, doesn't appear in the music video, regardless of the fact that he provides the vocals for the chorus, neither does Jermaine Jackson.
The ending of the video leaves it on quite the cliff-hanger, maybe his visions were all leading up to this point. It's a great low-budget music video that has everything we could possibly need. The singing in the shower performance piece isn't so engaging and feels a little too fake and Rockwell is totally not comfortable being filmed in the shower.
My Eurovision Special continues regardless of the fact that I'm in the middle of a Halloween Special. I've been lucky recently with my New Release and Chart Mondays slightly relating to my Halloween Special, but this music video isn't haunting or scary whatsoever. So this looks totally out of place on my blog, although the thumbnail looks quite mysterious. The Common Linnets represented The Netherlands at the Eurovision Song Contest 2014. They came second with 238 points. For a country song to be in the Eurovision alone is an amazing feat, but for it to do this well is amazing! The Common Linnets walk around the woods and the beach in this black and white music video for "Calm After The Storm".
The Common Linnets are a four piece country band that have had a major line-up change since the 2014 Eurovision Song Contest. They consisted of Ilse DeLange, Waylon (Willem Bijkerk), JB Meijers, and Matthew Crosby with the addition of Rob Crosby. Nowadays, Waylon and Rob Crosby have left the group and Waylon has been replaced with Jake Etheridge. The band was chosen through internal selection to represent the Netherlands. They went on to release a self-titled album which did well internationally, as well as re-releasing it with additional tracks. The song did amazingly globally, and at times even charted better than the winner of Eurovision 2014. The song was written by Ilse DeLange, JB Meijers, Rob Crosby, Matthew Crosby, and Jake Etheridge.
The music video is completely shot in black and white. We watch as Ilse DeLange and Waylon walk through the forest, in what looks like a barn, and along the beach.
As the song plays you can feel the emotions they have for each other flow between them.
There isn't an awful lot going on in the music video, a lot of suggestive relationship content, but it's more of a visual piece, a lot of close-ups but no performance or narrative. Shadows play an important role, but they're not developed enough. Not memorable, not relatable, and not engaging at all.
Literally ecstatic when this was released, not only because Bronnie is an amazing singer, but because I've been planning this Halloween Special, for my blog, for years now and I'm so happy to be including Bronnie within. My plan was to make this video kickstart this Special, but I have been behind on my blog since I went to Kiss Haunted House Party 2016. Now, I'm all caught up and ready to review the music video to my favourite 2016 Halloween song! Bronnie sends out gothic vibes with this haunting music video for "Scared Much". Including many Halloween-related objects whilst she performs in a forest; this can't become anymore spookier.
This haunting music video relates well with the song. At times there are exact translations of the songs lyrics which work well as visuals. It is a pure performance piece.
Bronnie is completely energetic throughout the video, not at all bothered that her head is floating above her body. She pulls off the floating head makeup trick perfectly. Her bright pink hair contrasts brilliantly.
The forest is entrancing, she manages to portray her love for this song as she heads towards the camera. Her stage presence is infectious, totally captivating and fully energetic throughout the video. This is exactly how she reacts on stage.
Other scenes include her dressing table that has a tonne of Halloween objects on, including a haunting mirror which allows us to see Bronnie get ready. Tarot cards, a crystal ball, candles and skulls complete the haunting visuals in this video. There is also a freakish ouija board!
Overall, this video has got it all going on; spooky, thrilling, haunting, what more could we want from Bronnie? The song was recorded at Edge Recording Studio. The video relates well with the song, with some great visual translations.
A bit of Rihanna's "Disturbia" for us all! It fits in nicely for my Halloween Special! This was possibly the turning point that put me off Rihanna. I didn't like the direction she was going down with this song and her subsequent songs never matched up to the love I had and still have for "Don't Stop The Music". Besides this entire music video freaked me out back in 2008. Rihanna is pretty much possessed in this "Disturbia" music video. Freakish dancing, disturbing themes and it still chilling to this day.
Rihanna, real name Robyn Fenty, is a worldwide global superstar. Everyone practically knows who she is and at least one of her songs. She's iconic and has really built a name for herself. She's at a point in her career, much like Beyoncé, where she can create the music she wants to and it'll still be a hit, regardless of whether it's likeable or not. She's worked her way up to this level and she isn't coming down from it whatsoever. This song was released on a reissue of her 'Good Girl Gone Bad' album, titled 'Reloaded'. The song hit number three in the UK but became another number one hit single in the US for Rihanna. It was written by Brian Kennedy, Chris Brown, Robert Allen, and Andre Merritt.
Directed by Anthony Mandler and Rihanna, the music video is extremely haunting, it freaks me out. It makes me think Rihanna is possessed by something.
The whole concept is intriguing with various scenes depicting the same idea. If anything, it really proves Rihanna's acting ability, because she pulls this off perfectly.
There are many scenes that will take me ages to comment on, although there is something freaky about the blonde wig and the contact lenses she is wearing when she is behind the bars. I also love the chamber where she's tied up via handcuffs; the way she struggles to get out is full of panic.
The spider scene is spine-chilling, I don't like spiders all that much, but those are tarantulas. I don't know how Rihanna kept her cool. Well, she was possessed.
The dance scene is flawless; great, relatable choreography that is totally on point throughout. The only problem I had was that not enough of the dance sequence was shown.
This music video is jam-packed full of everything. It's so disturbing, it works effortlessly and as much as it freaks me out and as much as I don't like it, the music video is relatable, brilliant and total perfection.
Going down a more country house music route, Calvin Harris' "My Way" is being reviewed as this week's Chart Mondays. He is throwing quite the spanner in my Halloween Special unless you supposed the love interest in this music video is a ghost, a pixelated one at best... Let's run with that, although, she is a robot. The song has been in the UK top 10 for a while, but the video has only just been released. With Little Mix's "Shout Out To My Ex" happily sitting on top, I'm reviewing this music video instead. Calvin Harris has stated that this song isn't about Taylor Swift, the song is about an ex-girlfriend being in his way. The accompanying music video for "My Way" shows her appearing and disappearing in a set of pixels, is she even real?
Calvin Harris, real name Adam Wiles, is the Scottish DJ who has won numerous awards and has worked with some of the biggest stars. He has a string of hits that just don't stop coming. He's definitely the one to watch around the world, because he is one of the hottest DJ's going at the moment, and I don't just mean his looks, even though he is pretty damn fine (especially considering what he used to look like when he released his debut single "Acceptable In The 80s"). This song was written by Calvin Harris.
The music video was directed by Emil Nava, who has directed a lot of Calvin Harris' music videos. The love interest is played by actress Emanuela Postacchini.
There is a kind of massive narrative behind this which is hard to follow. At first, I didn't get this video one bit, but I'm slowly understanding it, from my own perspective. This concept of the video may not be the intentional theory behind the narrative from the director or Calvin Harris.
We start off in a futuristic world, where there is a tall building standing in a desolate destroyed Earth. The camera pans into a window where we see a person with a Virtual Reality helmet on.
In an extremely clever cut, we see Calvin Harris on the steps of a country home. Into the past we go. We watch as Calvin Harris sings about the one thing being in his way, it's clearly his robotic love interest, but is she even there? The one complete stable throughout is Calvin Harris himself, everything else becomes a pixelated mess.
As the story continues, we watch her appear everywhere, taking control, destroying things. Almost as if it's a virus amongst his computer system; definitely an atrocity for any producer in the world.
The video ends with no one in the futuristic building; instead, there's a stand-alone computer from the 90s, maybe earlier, and there's one in each window-room of the building. Has this futuristic person become a pixelated specimen to run away with this person who isn't even real? Or does this video just not make sense?
What I do know, is that there is an awesome dance break during the barn house scene, where the choreography is nailed completely. With laser lights and an upbeat melody, you really can't go wrong.
This video is confusing, it gets even weirder the more you watch it. The pixels mess with your brain, disengaging the audience, which is the point of the video. Amazingly futuristically brilliant. Yet, I still can't quite make sense of this.
To be totally honest, I wasn't aware of this song until the Glee Cast covered it in a mash-up with Michael Jackson's "Thriller". Now it's become a global sensation and definitely a song to feature on all Halloween playlists. It totally deserves to be a part of my Halloween Special. This haunting song didn't do so well on the charts, but it is still an iconic haunting track. The Yeah Yeah Yeahs perform "Heads Will Roll" in front of a small audience, as a dancing werewolf finds its way on to the stage who later rips into everyone, rolling heads everywhere.
The Yeah Yeah Yeahs are a three-piece American indie band consisting of Karen Orzolek, Nick Zinner and Brian Chase. They have had moderate success in the UK, both single wise and album wise. They are currently on a hiatus. This is probably their most known song, regardless of it only reaching number 89 on the UK Chart, it managed to place on other charts around the world too. Although, their highest charting single was in 2003 with "Date With The Night". This song was written by Brian Chase, Karen Orzolek and Nick Zinner.
Directed by Richard Ayoade, the music video uses comedic horror which allows for a humorous scary music video.
I love that they have used red glitter and confetti as blood, and the conclusion of Karen O continually singing whilst being decapitated is epically original.
The story is easy enough to follow, and what seems to be a performance piece easily turns into a narrative which is such a simplistic engaging move.
We watch the band perform, they're energetic and enthralling, but then a dancer appears. He struts towards the stage when we realise he's actually a werewolf. It isn't long until he becomes blood hungry and chases the audience, ripping them apart as red confetti pours out of the bodies. The ending sees the band murdered in red glitter, but Karen O continues singing.
How can anyone not love this music video? It's pure genius, even if it is a little too simplistic for my liking. More development of the story is needed, as well as making it a little more relatable to the music video. Apart from those slight things, it works magically.
A bit of cheese on my blog, once again, but this is one of my all-time classic Halloween songs. I used to listen to this song all the time, and it always reminds me of Halloween. I actually remember the music video being on the music channels, at the time, which really goes to show how much of an impact it really was. Coinciding with the Scooby-Doo theatrical release, allSTARS*'s van breaks down and they are lost in the woods. "Things That Go Bump In The Dark" are best left alone.
allSTARS* were a five-piece pop group consisting of Sam Bloom, Thaila Zucchi, Ashley Taylor Dawson, Rebecca Hunter, and Sandi Lee Hughes. The name came from their first initials of their names, grouped together to make "STARS". They had four top 20 singles and one album, which failed to hit the UK's top 40 albums chart. Their low-charting positions ended up with the band parting ways with the label and subsequently each other. They were mostly known for their TV show on CITV called "STARStreet*". Rumour has it that a reunion is happening, although it's only rumours. Since the band; Ashley Taylor Dawson returned to play his character Darren Osbourne in Hollyoaks. Thaila Zucchi has had an all-right career in TV. Rebecca Hunter and Sandi Lee Hughes have had TV stints and children. Sam Bloom is a co-founder of 'Inspiring Interns'. The song is actually quite known, and is a must, on most Halloween playlists, although not many people actually know that it's sung by allSTARS*, especially with the original not being on iTunes.
The song appeared on the Scooby-Doo theatrical film soundtrack. The music video doesn't have any clips from the movie, although does feature a camper-van which is suggestive of the Mystery Machine.
The group members all disappear and get lost in the woods. That is the basic storyline and it isn't quite developed the way we want it.
Throughout the cheesy dance steps and the extremely bad lighting, it's intricate. Feeling quite similar to Hear'Say, allSTARS* rock the scary vibes thanks to the haunting visual. However, the choreography isn't anything we'd want to see again.
It's quite shocking that this group was aimed at kids and yet pelvic thrusts are throughout the video suggesting the song is quite sexual. There are certainly other "Things That Go Bump In The Night". Too suggestive for my liking in a cheesy pop video and group.
The video fails to wrap up the storyline. What happened to them? Regardless, the video is quite freaky and definitely a little scary. Perfect for Halloween!
This is for sure one of Ashlee Simpson's most underrated songs, most people don't even know about it. It's definitely one of my favourite Halloween songs, probably next to the other Halloween songs I choose for my Halloween Special! This is freakishly good, the song is so personal and although may come off a bit bland on first listen, it becomes an emotional party banger, on second listen, that will be perfect for all those spooky playlists out there! Trust me, this song is fire for any Halloween themed party. Raw and emotional, the song and the video work well together, Ashlee Simpson is in pain because of a guy who has a "Bat For a Heart".
Ashlee Simpson is probably best known as the sister of Jessica Simpson, yet she has established a career for herself both in the music industry and in the acting world. She has more a rock-edge to her tone, that definitely fuelled her chart success in the 00's. She is apparently working on a new album with her husband. Since this single was released back in 2012, I doubt it will be included in the said album. This single was apparently written by Linda Perry & Ashlee Simpson.
The music video is incredibly basic from start to finish. A consistent theme throughout as Ashlee Simpson pours her emotions out in a chaotic way.
Filmed totally in black and white, which definitely gives this an eerie feel, the video is quite quirky, to say the least. Ashlee Simpson has unlocked some sort of possessive beast from within, possibly a bat-transforming vampire.
At times we see her in a vocal booth or displaying dysfunctional dance moves, which doesn't fit singularly, however, would work fluidly with a full-set choreography, but then again something clean and perfect wouldn't work.
As a whole piece, it's quite unnerving yet interesting. Definitely haunting and perfect for my Halloween Special. On the other hand, I feel it doesn't quite relate to the song, and by itself, it's nothing special.
This was the only thing I can find for New Release this week, which is slightly disappointing, especially since I'm starting my Halloween Special this week, and although aliens can sort of be considered as a supernatural scary monster, I'm not quite sure it actually counts. Instead, I'm going to type up two reviews today so that I can fully flesh out my Halloween Special. Pretty Sister collaborates with Dragonette and Tobtok creating a catchy song. The music video definitely has "Galactic Appeal" as we watch an alien party and live it large with other people.
This is a major DJ collaboration! Pretty Sister is a solo project from Zak Waters who has previously released albums under his real name as well as EPs and singles. He has made quite the name for himself online, although before then he released two EPs with his pop/rock band Blueskyreality, who later disbanded. For now, he's Pretty Sister, who is definitely making electronic waves in the music industry. Dragonette are a well known electronic music trio band consisting of Martina Sorbara, Dan Kurtz and Joel Stouffer. They hit international fame on the collaborative hit "Hello" with Martin Solveig, but didn't quite keep a hold of the fame, and so follow-up singles didn't quite hit the mark. Regardless, they are still known throughout the world, although people may not quite know why at first. Tobtok is a Swedish DJ, real name Tobias Karlsson. He has remixed some of the biggest hits, as well as many unknowns. He previously remixed Zak Waters' song "Out Of My Head", which probably ignited this collaboration.
Directed by Anthony Chirco, the music video starts off extremely cheesy, totally set in the past and in black and white. But it soon turns to colour and all old theme vanishes as we watch an alien transform into a human. Possibly referencing the Roswell alien crash landing?
The alien walks along the road, where she's picked up by two strangers in a car. These two are Martina Sorbara, from Dragonette, and Zak Waters (well, Pretty Sister); who take her to their house/pool party.
This alien doesn't quite understand what is going on until Zak Waters comes up behind her and pushes her into the pool. That's when the party truly starts and this alien learns to have some fun and lets loose.
Martina Sorbara and Zak Waters really know how to host a party, where was my invite guys? Their hypnotic voices work well together, although their harmonies are slightly too soft for my liking, but their voices compliment each other's well. The ending shows the alien flipping through a book by the pool.
This is a great narrative with a side performance piece. Energetic and relatable, although the story isn't quite fleshed out fully. This alien doesn't quite have galactic appeal, she needed to be more quirky and different, rather than trying to blend in. But totally fun and definitely upbeat.
It's Thursday, so it's revisit time, and I'm so happy to feature The Pretty Reckless on my blog again this week, after reviewing "Take Me Down" from their new album which I reviewed for CelebMix. This was the song that got me onto The Pretty Reckless in the first place, and I always watched this video when it came on the music channels, although I don't see why I did. The Pretty Reckless dine at the head table of the wedding of the frontwoman Taylor Momsen, but there's no groom. It's an imitation of The Last Supper, She climbs on the table and rolls around, crawls, stands and crawls underneath as she sings "Miss Nothing".
The Pretty Reckless consist of four members who are Taylor Momsen, Jamie Perkins, Ben Phillips and Mark Damon. Their first album, which this was their second single from, was big in the UK, and their subsequent albums followed suit. At the time rock music was big here in the UK, and it will always be a part of our 00's era. Nowadays, rock music is less mainstream. It manages to rack up on the albums chart, but as for the singles chart, rock music barely scrapes in. This is why their new singles haven't charted well, but their albums have done fantastically. This song was written by Taylor Momsen, Ben Phillips and Kato Khandwala.
Directed by Meiert Avis, who has directed many videos, including the new one from The Pretty Reckless "Take Me Down". This video is a static narrative piece; it's a scene right out of a story, twisted and pulled apart and then given a whole new visual.
The whole thing is a new visual of The Last Supper. Taylor Momsen pulls off her veil and climbs on to the table. There is a close up of her pouring water for the other guests, which never made sense to me, but now I know it's an imitation of The Last Supper, it makes perfect sense.
She does various other things, messing the whole scene up, walking on the table, throwing food, smashing a bottle off a guy's head. She literally causes chaos but with no one to react to it it's unsettling.
The final scene shows her sprawled on the table, still looking sexy regardless of everything, whilst various so-called famous people come in to stand around. Of these people, Jimi Hendrix, Charlie Chaplin and John Lennon can be seen.
Overall, as a reworked version of The Last Supper, it works magically. Yet it doesn't quite go with the lyrics of the song. On the other hand, Taylor Momsen totally rocks this! The rest of the band play an active part in the video as the guests.
Another amazing song that was entered for the Eurovision Song Contest 2014. This is effortlessly beautiful! Sanna Nielsen represented Sweden in the 2014 Eurovision Contest, she came third in the Grand Final with 218 points. Sweden, over the years, has done well in the contest. Their national selection process is one of the best in the world and always enable the best singers and performers to win and represent their country. Sanna Nielsen gives an emotional static performance as glitter spices up the video for "Undo".
Sanna Nielsen is definitely a household name in Sweden, having released a total of eight albums and a few Christmas seasonal music albums. She has competed in many Swedish music contests and has even entered the Melodifestivalen seven times! Who would've thought that she'd go on to win and represent Sweden at Eurovision in 2014. Definitely the comeback queen. She competed in 2001 with "I går, i dag" where she came third; then she came fifth in 2003 with "Hela världen för mig"; in 2005 she came eighth in a collaboration with Fredrik Kempe on song "Du och jag mot världen"; next was "Vågar du, vågar jag" in 2007 where she came seventh; next, in 2008, she came second again with "Empty Room"; she tried again in 2011 with "I'm In Love" where she came fourth; but it was her seventh attempt with "Undo" in 2014 that she finally got her win! It's clear that to achieve your dream you have to keep trying over and over again. She's made a name for herself, she just needs international success, because her voice is perfection! This song was written by Fredrik Kempe, David Kreuger and Hamed "K-One" Pirouzpanah.
Directed by Mats Udd, the video is a pure performance visual, although Sanna Nielsen doesn't move around much, instead staying in one position throughout.
Her facial emotions proves her performance ability. She sings the song from the heart and really means every word. She has totally connected with the song completely.
The dancers are shown in slow motion as they sprinkle glitter dust everywhere. Sometimes the visual is shown backwards so it looks like they're gathering the glitter dust.
As a visual it's captivating, although quite shocking to see the heart of the girl come out and smash on the floor, and then the flowers doing the exact same even though they shouldn't break apart like they've been shown.
The video definitely gives a different perspective, whilst relating well to the song. Sanna Nielsen can definitely perform, and she is clearly meant to be on a stage. Her voice is beautiful from start to finish. The video is intriguing and magical, but on the surface it doesn't keep the audience attentive the way the song does.
Sean Smith is back! This popped up on my iTunes and reminding me to feature it on my blog! He was one-half of duo Same Difference, but now apart, Sean Smith has found a new record label and has released this energising single that does have old Same Difference vibes but with a slightly more mature sound and lyrics. I do miss Same Difference but for now, I can deal with just Sean Smith. It's time to play some strip poker, dance around at Sean's party and have a brilliant time in this "Turn Me On" music video from Sean Smith!
Sean Smith is best known for competing in The X Factor series four with his sister Sarah Smith under the name Same Difference. They finished third and went on to have a few hit singles. They have recorded a total of three albums, but there have been no releases from their third album, unfortunately. The duo disbanded in 2014 but clearly, Sean Smith pursued a solo career. Now he has released his debut single, where the signed copies quickly sold out. The song was written by Christian Ingebrigtsen & Nalle Ahlstedt. The music video's opening sequence shows the aftermath of a party, the S-E-A-N balloons are amazing, I want J-O-N-N-I balloons, but my J-O-N-N-I lights that I got for my birthday from a bestie are much better!
Sidetracked! Anyhow, the video has a full-on performance piece mixed in the slight narrative, as we watch the party unfold, Sean Smith takes centre stage and dances with two backing dancers (sometimes two girls, sometimes two guys and sometimes a mix). They are all in-sync but the choreography is ten years too late. There's no rhythm in the moves and they're quite static, reminding me of Same Differences "Shine On Forever (Photo Frame)" video. This would work if the song was very bubblegum pop but this isn't a Same Difference song, it's a Sean Smith song, and so the dance moves should flow much better than this.
The party is in full swing, though. Strip poker definitely gives us something to watch, and of course, see all the fitness Sean Smith has been up to recently. Not only that but there are half-naked girls having a pillow fight on the bed, as well as the passing of the strawberry. Kudos for having a guy pass the strawberry to another guy rather than it all being guy-girl action.
As a whole, this video is more of a Same Difference visual than the new mature Sean Smith we expected. The song has a much more pop sound to it; very current. But the video fails to replicate that.
Little Mix are at the top of the UK Singles Chart! And it has a music video! YES! So my Chart Mondays review is easy! They were slated for apparently releasing a similar song to G.R.L.'s "Ugly Heart" but as I stated in my review yesterday, these songs are DIFFERENT! Listening to both songs side by side, you can't hear similarities whatsoever. People really need to stop comparing them. Little Mix are pure fire in this music video for "Shout Out To My Ex" completely showing their stage presence, although would've liked a full-on dance scene.
This group won The X Factor series eight. They consist of Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock and Jade Thirlwall.The only group to have won the UK version of The X Factor so far and they are still going completely strong. They now have four UK number ones and this single is the first UK number one single of 2016 with a female lead, which is definitely quite shocking! "Shout Out To My Ex" was written by Edvard Førre Erfjord, Henrik Michelsen, Camille Purcell, Iain James, Perrie Edwards, Jesy Nelson, Leigh-Anne Pinnock and Jade Thirlwall.
The music video is a full performance piece with very little choreography thrown in. The visuals are hypnotic but once pulled apart you realise there isn't much to this at all. As others have stated, some scenes resemble other music videos, especially One Direction's "Live While We're Young" whilst the car scene reminds me of Booty Luv's "Some Kinda Rush".
They drive past a guy, but don't give him a ride. They are sexy by the pool; they have fun in the car driving past pretty purple trees. The ending scene splits the girls up, having them perform in front of different objects.
Overall the video is all right. It's a fierce song with a fierce performance visual, but there really isn't a lot going on. It feels more like a behind the scenes of a model shoot than an actual "Shout Out To My Ex" music video. Where's the dancing? Where's the energy? Where's the narrative? Where's the story? It's just missing the spark; this isn't the first Little Mix music video that has failed to impress me. However, they make up for it in the brilliantly catchy songs.
Since everyone is currently comparing this to Little Mix's "Shout Out To My Ex", I thought I'd review this one today. I'd like to state that, personally, THESE SONGS ARE NOT THE SAME! Like Little Mix has said, it's hard to release a song that doesn't sound similar to another song, and people will always be comparing two songs and saying they're the same when they're not. This is just another case! I just feel these are two different songs that aren't remotely similar. G.R.L. gets arrested at a tattoo shop, then taken to the police station. They do a line-up and we see what they've done that's put them here in this "Ugly Heart" music video.
G.R.L. were previously a five-piece girl group tipped to be the next Pussycat Dolls. They consisted of Lauren Bennett, Simone Battle, Emmalyn Estrada, Paula van Oppen and Natasha Slayton. Sadly, Simone Battle passed away and the girl group released "Lighthouse" in honour of her. The group later disbanded but have recently reformed as a three piece with Lauren Bennett, Natasha Slayton and new member Jazzy Mejia. Their first single failed to get any traction; they have a lot of promotion to do if they want to make it big once again. This song was written by Ryan Baharloo, Ester Dean, Lukasz Gottwald, John Charles Monds and Henry Walter. It is their biggest hit to date.
Directed by Chris Marrs Piliero, the video is mainly narrative with a cracking performance piece set inside, these girls can dance!
The girls are arrested in a tattoo shop, so it makes you wonder what they have been doing. We watch them in the back of a police car, in the police station, in a holding room and then finally in a line-up, where we find out what they've done to get them in this situation.
Throughout, the girls have so much energy, they nail the choreography as well as staying in-sync throughout. Sometimes the dancing is slightly off time-wise, but each and every one of them exudes confidence and that's why they pull it off effortlessly.
They climb on tables, they struggle with the police officers and they dance well in the line-up scene, but the best part is definitely the ending when Simone Battle says: "Now your face is like your heart. Ugly."
Overall this video is perfect from start to finish, there's nothing more they could have added to it to make it better. It has a great narrative with a perfect performance piece combined. This is one video I could watch again and again. Also, it's such a loss to know that Simone Battle is no longer with us.
The Pretty Reckless released their new album titled "Who You Selling For" this week, and this is the official first single from the album. After reviewing the album on CelebMix, I thought I might as well continue reviewing one of my favourite bands, amongst many! The Pretty Reckless give a perfect performance in this music video for "Take Me Down", filmed in black and white with a red filter which sets the mood well.
They are a four-piece rock band consisting of Taylor Momsen, Ben Phillips, Mark Damon and Jamie Perkins. The band have been popular here in the UK ever since their first album! They've always done well and some of their best songs were their first singles. However, like all bands, they have developed. Personally, their new album is their best one to date, although if "Wild City" doesn't become a single and get a music video, I'll be very disappointed! This song was written by Taylor Momsen & Ben Phillips.
Directed by Meiert Avis, this pure performance music video has so many energetic vibes, you can tell this band was meant to perform on a stage!
It may be in black and white, but I love the use of the red filter. It prevents the video from being boring, and instead lightens it up and makes it much more interesting.
This video really shows what The Pretty Reckless are like on stage. I love the use of backing singers, and the entire band manages to draw the audience into this video, However, the song would be perfect for some sort of narrative. It's consistent energy but the video doesn't go anywhere.
Nytrix is new this week! Unfortunately, Dami Im hasn't released a music video for her awesome new song, "Fighting For Love", yet. So instead I've chosen this one. Possibly Halloween inspired, perhaps slightly too early. The song is catchy though and it's undeniable that this video is hot! Nytrix entertains as a DJ, whilst Neon Hitch is in a bird cage, distracting everyone, as they steal a fortune in this video for "When Will I See You Again?".
Nytrix is a new DJ who is doing the rounds and is certainly catching some attention. His good looks and fire tracks are propelling him into the music industry. Having remixed a few tracks, he has gone on to release a few singles and remix EPs. He's definitely one of the newcomers to watch. Teaming up with Neon Hitch has definitely given him more exposure. Neon Hitch is her actual name, for those of you who didn't know. She was originally a part of the Archaos circus. She has released a few singles that charted around the world as well as a few EPs, and earlier this year she released her debut album. She is mostly known for featuring on Gym Class Heroes' single "Ass Back Home". This song is definitely a grower, and I could see it becoming a favourite of mine the more I hear it.
The video was directed by Nytrix. The two artists are totally sexed up, obviously Neon Hitch more than Nytrix. Sex totally sells! Just be careful if you ever are near them because they have a habit of stealing everything expensive including watches, rings, bracelets, bags and money. Don't wear anything valuable.
Neon Hitch is centre stage throughout, distracting the viewers whilst her dancers nab anything they can. She dances in a bird cage, I don't know what it is about bird cages but they pop up everywhere.
Throughout Nytrix is stylishly sexy behind the DJ decks, and during a card game. He dons a top hat in the bus scene, totally reminding me of Penguin from Gotham. He can be my DJ at any party!
The dancers are on point every step of the way. Perfect choreography throughout that totally glams the whole thing up. Neon Hitch fails to stun us completely; however, I'm sure straight guys will totally disagree with me. She works it during the bus scene, but she actually comes into her own when she steals the bag off that woman's shoulder and the money on the table.
Overall it's an early Halloween haunting music video, that is totally sexed up; one that may leave you clinging to your jewels; crowns and all. Not quite so relatable to the song which is about love and the feelings that go with it, pining to see that special person again. Yet, with a banger of a tune and a sexy spooky video, does it really matter?
Inna graces my blog once again, purely because it was her birthday last Sunday and I thought I'd continue the celebrations on my blog. Not only that but I am seeing her in Dublin, Ireland on 3rd December, which I'm totally excited for. Revisit Thursdays are for videos that are five years and older, this is the only one of Inna's music video that meets that rule and hasn't been reviewed by me yet. I have not reviewed it before because I really don't like the music video, and feel it's more Bob Taylor's video, to be fair it is more his song than Inna's; however, in the UK it was promoted as an Inna song. Inna poses for a photo shoot on a boat, as the main music video for Bob Taylor's "Deja Vu" kicks off with flirtatious dancing and sexual intent.
Inna, real name Elena Alexandra Apostoleanu, turned 30 years old last Sunday. She is gearing up to release her fifth studio album. She made her name internationally with her debut single and its follow-ups. We are expecting a tropical exotic sound from her new album, but she's currently in America, which may influence new material for the album. This could be her best album to date. Featured on the track is Bob Taylor. It is originally his track but was promoted in the UK as him being the featured artist. He is a Romanian DJ who has had mild success. His real name is Bogdan Croitoru, and previously released music under Daddy Fizz. The song was written by Sebastian Barac, Radu Bolfea and Marcel Botezan. These three make up producing trio Play & Win.
The music video was originally filmed without Inna in it at all. This resulted in having to add a recorded clip of Inna segmented into the video purely because it was being marketed as an Inna song. Bob Taylor definitely takes centre stage throughout as he hosts this club party.
Inna's part is very minor. It was filmed at Nessebar, a resort on the black sea coast of Bulgaria. She adorns swimsuits as she poses for the camera on a yacht. There's very little performance presence from her because of the photo shoot, therefore not quite connecting with the audience.
The party, however, is in full swing. The dancers are in-sync and pulling out the choreography like it is nothing. On the other hand, the choreography isn't all that complex. There is much more emphasis on being sexy in the club. Sex definitely sells, but this video just doesn't cut it.
There seems to be a slight narrative but it is rarely brought to the forefront, due to the little amount of time, especially with the added cuts of Inna. Bob Taylor is DJing at the club, but it's nothing spectacular. The entire video feels like a shambles. It just doesn't work.
No one can deny the beauty of this song. His vocals are perfection throughout. Now he's the frontman of Kállay Saunders Band, bringing something completely new to the music industry table. He represented Hungary in the Eurovision Song Contest 2014 and came fifth overall with 143 points. This year was one of the toughest since there were quite a few amazing songs entered. András Kállay-Saunders brings an emotional performance piece as we watch a narrative showing the life of abusive parents. This music video for "Running" is a stunning portrayal of the lyrics.
András Kállay-Saunders was born in New York City, United States. He is half American and half Hungarian. He spent time in Hungary in 2010 and saw a television commercial for Megasztár. He applied and came fourth in the fifth series. He went on to release some singles and started recording an album. He's album wasn't released and instead, he took part in and won A Dal 2014, the Hungary national selection for Eurovision 2014. Since then he created his band Kállay Saunders Band, who released a debut album. They took part in A Dal 2016 but came fourth, and therefore didn't represent Hungary in the Eurovision 2016. They have recently released new single "#GRIND" which I reviewed for CelebMix. This song was written by András Kállay-Saunders and István Tabár.
The music video is on point throughout. There's a performance piece and a narrative piece, both are flawless from start to finish. There is also a dance choreography scene which is developed into the narrative.
The performance side of things is so full of emotion, it's clear András Kállay-Saunders cares a lot about this song. The song was inspired by one of his friends who was an abuse victim. He feels every single word deep inside, whilst unleashing it for us all to see.
As for the narrative, we follow a group of kids walking through a forest. Focus is on a young girl who watches her parents have an argument that escalates to her father coming upstairs into her room and beating her. We watch as she struggles with her life and ends up running away and being with a group of kids in the forest.
The dance scene is intercut beautifully. We watch the contemporary dance which is inspired by being abused. It totally sets the piece apart, although the full scene isn't shown because there is so much in this music video as a whole. As the dancer is unmasked, we see she is bruised, another victim of abuse.
There's strength in unity and that is what this video shows. It definitely brings awareness to this issue and the fact that he brought it to the Eurovision stage is just something magical. I'm excited to see where his career will take him, no doubt Kállay Saunders Band will knock it out of the park in the next few years.
